Azure's 'Larks That Were Never Really There // Dawn Chorus' had a release date set for March 18, 2017. This song appears to be safe for all ages as it is not explicit. This song is part of Wish For Spring by Azure. The song's track number on the album is #4 out of 11 tracks. Based on our statistics, Larks That Were Never Really There // Dawn Chorus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Larks That Were Never Really There // Dawn Chorus by Azure has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Larks That Were Never Really There // Dawn Chorus being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Watch for Me on the Mountain | In Vain | D♭ Major | 10 | 3B | 130 BPM | ||
| Died of Dancing | Toehider | A♭ Minor | 8 | 1A | 125 BPM | ||
| A Dead Man | The Anchoret | B♭ Minor | 9 | 3A | 148 BPM | ||
| Reanimate | Ihlo | E Minor | 9 | 9A | 103 BPM | ||
| Paper Boats | Karmanjakah | E Major | 8 | 12B | 105 BPM | ||
| Acts of Violence | TEMIC | C Minor | 8 | 5A | 110 BPM | ||
| Inmazes | VOLA | D Minor | 5 | 7A | 140 BPM | ||
| The Way Down | Exploring Birdsong | E Minor | 8 | 9A | 125 BPM | ||
| Carry On | Barock Project | A Minor | 8 | 8A | 141 BPM | ||
| Samaritan | Sunburst | D♭ Major | 10 | 3B | 140 BPM | ||
| Azure | Azure | B Major | 8 | 1B | 139 BPM | ||
| Drenched | Kingcrow | E Major | 8 | 12B | 148 BPM | ||
| Seven Birds | Kaipa | G Major | 9 | 9B | 138 BPM | ||
| The Jester Who Cheated Death | Azure | A Major | 10 | 11B | 81 BPM | ||
| Presence | Rendezvous Point | G Major | 7 | 9B | 112 BPM | ||
| Take Me To The River | MEER | D Major | 6 | 10B | 126 BPM | ||
| Madness Unforeseen | Turbulence | D Major | 9 | 10B | 135 BPM | ||
| Obverse II | Obverse, Dan Briggs, Chris Allison, Emily Hopkins | G Minor | 6 | 6A | 95 BPM | ||
| The Takedown | Rendezvous Point | E Major | 8 | 12B | 91 BPM | ||
| Silken Chains | Richard Henshall, David Maxim Micic | F♯ Major | 6 | 2B | 148 BPM | ||
| Larks That Were Never Really There // Dawn Chorus | Azure | F♯ Major | 6 | 2B | 134 BPM | ||
| Delusion | Obsidious | B Minor | 10 | 10A | 150 BPM | ||
| Time and Time Again | Distorted Harmony | B Minor | 9 | 10A | 108 BPM | ||
| Titans | Novena | A Major | 7 | 11B | 95 BPM | ||
| Stage 3: The Palliative Breath | The Reticent | B Minor | 5 | 10A | 146 BPM |