"One Life Stand: V. The Shadow Tree" by Cheryl Frances-Hoad, Jennifer Johnston, Joseph Middleton had its release date on July 28, 2014. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 5 out of 27 in Frances-Hoad: You Promised Me Everything by Cheryl Frances-Hoad, Choir of Gonville & Caius College, Cambridge, Jennifer Johnston, Joseph Middleton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. One Life Stand: V. The Shadow Tree is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of One Life Stand: V. The Shadow Tree by Cheryl Frances-Hoad, Jennifer Johnston, Joseph Middleton is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
| Come to Me in My Dreams, H. 71 - Musical Moments | Frank Bridge, Theodore Platt, Keval Shah | F♯ Minor | 0 | 11A | 88 BPM | ||
| Hear My Prayer, O Lord | Henry Purcell, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Scenes from Autistic Bedtimes: III. Twelve | Cheryl Frances-Hoad, Edward Nieland, Natalie Raybould, Beth Higham-Edwards, Anna Menzies, Alistair Hogarth, George Jackson | D Minor | 0 | 7A | 72 BPM | ||
| Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Purcell : Hear my prayer, O Lord | Henry Purcell, Edward Higginbottom | C Minor | 1 | 5A | 86 BPM | ||
| Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
| The Sun Never Says | Dan Forrest, The Elora Singers, Mark Vuorinen, Mary-Catherine Finch | A♭ Major | 1 | 4B | 179 BPM | ||
| J. G. Rheinberger: Abendlied | Josef Rheinberger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn | F Major | 0 | 7B | 135 BPM | ||
| 8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua | Marcel Dupré, Stefan Engels | D Major | 1 | 10B | 129 BPM | ||
| Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
| Luminosity, II. The Changing Scenes | James Whitbourn, Commotio, Levine Andrade, Henry Parkes, Steffan Jones, Andrew Ker, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Isabelle Faust, Antoine Tamestit, Jean-Guihen Queyras, Alexander Melnikov | B♭ Major | 0 | 6B | 78 BPM | ||
| The Cherubic Hymn | Alexander Pierce Hill, Apollo5 | F♯ Minor | 0 | 11A | 88 BPM | ||
| Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | F♯ Minor | 0 | 11A | 88 BPM | ||
| To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
| Katharsis: V. Gavotte | Cheryl Frances-Hoad, David Cohen, Paul Hoskins, Rambert Orchestra | F Major | 1 | 7B | 145 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Requiem: I Heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM |