"レスピーギ:「ローマの噴水」朝のトリトンの噴水" by NBC交響楽団 had its release date on October 16, 2021. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. レスピーギ:「ローマの噴水」朝のトリトンの噴水's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 20世紀不滅の名演奏家 アルトゥーロ・トスカニーニ, so we believe that "レスピーギ:「ローマの噴水」朝のトリトンの噴水" is a single. Based on our statistics, レスピーギ:「ローマの噴水」朝のトリトンの噴水's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of レスピーギ:「ローマの噴水」朝のトリトンの噴水 by NBC交響楽団 is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: IV. Passacaglia (Roncalli) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 3 | 6A | 116 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
| Puccini : Crisantemi | Giacomo Puccini, The Helsinki Strings, Csaba Szilvay, Géza Szilvay | F♯ Minor | 1 | 11A | 85 BPM | ||
| Berlioz- Symphonie Fantastique: Symphonie Fantastique: IV. March to the Scaffold | Hector Berlioz, Budapest Philharmonic Orchestra, Rico Saccani | G Minor | 2 | 6A | 78 BPM | ||
| Ebb Tide | Robert Maxwell, Mantovani | C Major | 3 | 8B | 54 BPM | ||
| Candide: Overture | Leonard Bernstein, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 3 | 5B | 141 BPM | ||
| Adagio para Cuerdas, Op. 11 | La Camerata Metropolitana, Humberto López Sánchez | B♭ Minor | 1 | 3A | 111 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | ||
| Finlandia Sibelius | Chor des Bayerischen Rundfunks | A♭ Major | 3 | 4B | 77 BPM | ||
| Suite No. 1, P. 109: IV. Passo Mezzo E Mascherada: Allegro Vivo | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 2 | 10B | 137 BPM | ||
| 幻想交響曲 作品14: 第4楽章: 断頭台への行進 - 2014年 キッセイ文化ホール(ライヴ) | Hector Berlioz, Saito Kinen Orchestra, Seiji Ozawa | B♭ Major | 3 | 6B | 200 BPM | ||
| Pletnev: 14 Mémoires musicales: Romance | Mikhail Pletnev, Rachmaninoff International Orchestra | B Minor | 1 | 10A | 138 BPM | ||
| Eine Alpensinfonie, Op. 64: XXI. Ausklang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 63 BPM | ||
| Symphony No. 1 in D Major, Op. 25 "Classical Symphony": II. Larghetto | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | A Major | 5 | 11B | 83 BPM | ||
| Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
| Holberg Suite, opus 40: Prelude (Allegro vivace) | Academy of St. Martin in the Fields | G Major | 1 | 9B | 76 BPM | ||
| Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 2 | 4B | 109 BPM | ||
| Symphony No. 2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): (Trumpets & trombones) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | F Major | 2 | 7B | 165 BPM | ||
| Adagio Allegro Molto | Orquesta Filarmónica de Viena | E Minor | 2 | 9A | 115 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
| Parsifal, Act I: Enthüllet den Gral! – Nehmet hin meinen Leib | Richard Wagner, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | A♭ Major | 1 | 4B | 77 BPM | ||
| Tristan und Isolde, Act I: Prelude | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | A Major | 1 | 11B | 82 BPM |