"Enter the Catacombs" by Cris Velasco, Assassin's Creed had its release date on January 13, 2015. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Enter the Catacombs's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 11 in Assassin's Creed Unity Dead Kings (Original Game Soundtrack) by Cris Velasco. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Enter the Catacombs is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enter the Catacombs by Cris Velasco, Assassin's Creed is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dark Alleys | Lorne Balfe, Assassin's Creed | D♭ Major | 8 | 3B | 135 BPM | ||
| The Lobby | Lorne Balfe, Assassin's Creed | G Minor | 5 | 6A | 100 BPM | ||
| Legions Of Chaos | Cris Velasco, Sascha Dikiciyan | B♭ Minor | 9 | 3A | 106 BPM | ||
| The Final Target | Chris Tilton, Assassin's Creed | F Major | 4 | 7B | 160 BPM | ||
| Theme from Assassin's Creed Syndicate Jack the Ripper | Bear McCreary | A Major | 2 | 11B | 120 BPM | ||
| Harpy Lair | Marcin Przybyłowicz | E Major | 3 | 12B | 82 BPM | ||
| Village of the Lost | Sorastro | C Major | 1 | 8B | 72 BPM | ||
| Teku Nuhoch | Maclaine Diemer | F Major | 2 | 7B | 133 BPM | ||
| The Beast | Cris Velasco | F Minor | 5 | 4A | 135 BPM | ||
| Orientation | Audiomachine | G Major | 3 | 9B | 120 BPM | ||
| Colored in Red (From Baldur's Gate: Dark Alliance 2) | Craig Stuart Garfinkle | B Major | 1 | 1B | 68 BPM | ||
| Into the Unknown | Harry Gregson-Williams | G Major | 1 | 9B | 134 BPM | ||
| Forsaken | Stephanie Economou, Assassin's Creed | D Major | 5 | 10B | 144 BPM | ||
| What the Goddess of Death Has Touched | Justin E. Bell | F Minor | 0 | 4A | 67 BPM | ||
| Abyss of Souls | ASKII | B♭ Major | 6 | 6B | 133 BPM | ||
| The Docks | Winifred Phillips, Assassin's Creed | D♭ Major | 2 | 3B | 78 BPM | ||
| The Dance Begins | Austin Wintory, Assassin's Creed | G Major | 3 | 9B | 116 BPM | ||
| Forbidden Forest | Marcin Przybyłowicz | D Major | 2 | 10B | 140 BPM | ||
| Virtual Pursuit | Winifred Phillips, Assassin's Creed | D♭ Major | 8 | 3B | 85 BPM | ||
| Infected | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | F♯ Minor | 4 | 11A | 110 BPM | ||
| Quintus Escapes | Ilan Eshkeri | C Major | 6 | 8B | 100 BPM | ||
| Plague District | Stephanie Economou, Assassin's Creed | D♭ Major | 7 | 3B | 168 BPM | ||
| Broken Bond | Elitsa Alexandrova | B♭ Minor | 8 | 3A | 130 BPM | ||
| Too Many Legs | ASKII | C Major | 4 | 8B | 137 BPM | ||
| Still Angry (Necrophages Prologue) | Arnaud Roy | D♭ Minor | 3 | 12A | 122 BPM |