"The Final Target" by Chris Tilton, Assassin's Creed had its release date on November 4, 2014. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 27 out of 30 in Assassin's Creed Unity, Vol. 1 (Original Game Soundtrack) by Chris Tilton, Assassin's Creed. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. The popularity of The Final Target is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Final Target by Chris Tilton, Assassin's Creed is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amongst The Ashes | Mikolai Stroinski | D Major | 1 | 10B | 68 BPM | ||
| Unifying the Frontier | Stephen Barton | D♭ Major | 7 | 3B | 110 BPM | ||
| Speck of Dust | Lorne Balfe, Assassin's Creed | D♭ Major | 2 | 3B | 84 BPM | ||
| 237 (feat. Melissa R. Kaplan) | Oleksa Lozowchuk, Melissa R. Kaplan | B♭ Major | 3 | 6B | 98 BPM | ||
| Deliverance | Winifred Phillips, Assassin's Creed | B♭ Minor | 7 | 3A | 100 BPM | ||
| You Speak of the Trident | Geoff Zanelli | D Minor | 1 | 7A | 74 BPM | ||
| Tombs Unremembered | Brad Derrick | D♭ Minor | 1 | 12A | 77 BPM | ||
| Cutlass | Elitsa Alexandrova, Assassin's Creed | G Major | 5 | 9B | 100 BPM | ||
| Saba Island | Joe Henson, Alexis Smith, Assassin's Creed | C Major | 7 | 8B | 120 BPM | ||
| Bile and Bite | Niels van der Leest | A Minor | 2 | 8A | 81 BPM | ||
| The Committee of One | Sarah Schachner, Assassin's Creed | G Major | 5 | 9B | 100 BPM | ||
| Brotherhood of the Assassins | Jesper Kyd, Assassin's Creed | D♭ Major | 3 | 3B | 100 BPM | ||
| Avoid Raisk's Gaze - Frenzy | Borough Bound | D♭ Minor | 5 | 12A | 98 BPM | ||
| The Bleeding Effect | Jed Kurzel | D Major | 0 | 10B | 90 BPM | ||
| Veterans of the Desolation | Maclaine Diemer | G Major | 0 | 9B | 79 BPM | ||
| The Battle of Krokodilopolis | Sarah Schachner, Assassin's Creed | B♭ Minor | 9 | 3A | 100 BPM | ||
| Made Men | Stephen Barton | B♭ Minor | 6 | 3A | 80 BPM | ||
| The Shrieker Contract | Mikolai Stroinski | G Minor | 9 | 6A | 140 BPM | ||
| Follow My Lead | Chris Tilton, Jesper Kyd, Assassin's Creed | A Minor | 2 | 8A | 110 BPM | ||
| To The Hunt! (feat. Circle Percussion) - Part 1 - Motherland | Niels van der Leest, Circle Percussion | D♭ Major | 4 | 3B | 90 BPM | ||
| Cathedrals of Steel | Austin Wintory, Assassin's Creed | F Minor | 1 | 4A | 65 BPM | ||
| A Mother's Grief | P.T. Adamczyk | G Major | 0 | 9B | 123 BPM | ||
| Atlantis | The Flight | D Major | 3 | 10B | 99 BPM | ||
| Claws in the Hollow | Oleksa Lozowchuk | A♭ Major | 2 | 4B | 100 BPM | ||
| Shanty Town | Winifred Phillips, Assassin's Creed | D Major | 4 | 10B | 120 BPM |