Niels van der Leest, Circle Percussion's ' "To The Hunt! (feat. Circle Percussion) - Part 1 - Motherland" was released on its scheduled release date, 2017. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joris de Man, The Flight, Niels van der Leest's "Horizon Zero Dawn (Original Soundtrack)" album is number 24 out of 80. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, To The Hunt! (feat. Circle Percussion) - Part 1 - Motherland is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of To The Hunt! (feat. Circle Percussion) - Part 1 - Motherland by Niels van der Leest, Circle Percussion to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Edge of the Sundom | Niels van der Leest | D♭ Minor | 3 | 12A | 83 BPM | ||
| To The Hunt! (feat. Circle Percussion) - Part 1 - Motherland | Niels van der Leest, Circle Percussion | D♭ Major | 4 | 3B | 90 BPM | ||
| Soror Et Frater | Petri Alanko | D♭ Major | 2 | 3B | 136 BPM | ||
| Years of Training - Part 1 - Motherland | The Flight | B Major | 6 | 1B | 186 BPM | ||
| The Chantry's Hubris | EA Games Soundtrack | A Major | 4 | 11B | 117 BPM | ||
| The Eternal Conflict | Neal Acree, Matt Uelmen, Diablo, Blizzard Entertainment | D Major | 4 | 10B | 149 BPM | ||
| Howl Of The White Wolf | Adam Skorupa, Krzysztof Wierzynkiewicz | F Minor | 9 | 4A | 100 BPM | ||
| Anomaly in the Forest | Zhenlan Kang, Akihiko Narita | B Minor | 8 | 10A | 144 BPM | ||
| The Dragon | Bear McCreary | A Major | 6 | 11B | 114 BPM | ||
| Battle for Redemption (From Baldur's Gate: Dark Alliance 2) | Craig Stuart Garfinkle | D Major | 7 | 10B | 130 BPM | ||
| Chains Won't Stop Us | Borough Bound | D♭ Major | 8 | 3B | 135 BPM | ||
| The End of War | Brendon Williams | D♭ Minor | 7 | 12A | 177 BPM | ||
| Top of the World | Inon Zur | C Major | 7 | 8B | 180 BPM | ||
| Beasts of Steel - Part 4 - Secrets of the Earth | Joris de Man | D♭ Major | 5 | 3B | 140 BPM | ||
| The Experiment | Lorne Balfe | A♭ Major | 7 | 4B | 110 BPM | ||
| Riches And Glory | P.T. Adamczyk | D Major | 7 | 10B | 130 BPM | ||
| Open Country | Frida Johansson, Henrik Oja | D Minor | 3 | 7A | 110 BPM | ||
| Tarsis Nights | Sarah Schachner | F Major | 3 | 7B | 58 BPM | ||
| Conquered Shores | Glenn Stafford, World of Warcraft, Blizzard Entertainment | G Major | 4 | 9B | 65 BPM | ||
| Destroyer | Geoff Knorr | D Major | 4 | 10B | 150 BPM | ||
| To Find What Was Lost | Niels van der Leest | A Major | 3 | 11B | 134 BPM | ||
| Valor | Sarah Schachner | B Minor | 6 | 10A | 112 BPM | ||
| Claws And Scales | P.T. Adamczyk | B♭ Major | 5 | 6B | 150 BPM | ||
| The Luxon | Critical Role, Omar Fadel | E Minor | 5 | 9A | 72 BPM | ||
| City On The Mesa - Part 3 - Onwards to Meridian | Joris de Man | C Minor | 1 | 5A | 136 BPM |