"Cutlass" by Elitsa Alexandrova, Assassin's Creed had its release date on November 11, 2014. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 31 in Assassin's Creed Rogue (Original Game Soundtrack) by Elitsa Alexandrova. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. In terms of popularity, Cutlass is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cutlass by Elitsa Alexandrova, Assassin's Creed is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Common Enemies | Luc St-Pierre | G Major | 7 | 9B | 151 BPM | ||
| Final Confrontation | Midnight Syndicate | A Minor | 4 | 8A | 155 BPM | ||
| The Words of a Friend | Max Aruj, Assassin's Creed | G Major | 8 | 9B | 180 BPM | ||
| In the Midst | Brian Tyler, Assassin's Creed | E Minor | 5 | 9A | 67 BPM | ||
| Hagaz the Killer | Kevin Riepl | A♭ Major | 5 | 4B | 135 BPM | ||
| Silent Approach | Cris Velasco, Assassin's Creed | C Minor | 4 | 5A | 120 BPM | ||
| The High Seas | Brian Tyler, Assassin's Creed | C Major | 5 | 8B | 130 BPM | ||
| Harpy Lair | Marcin Przybyłowicz | E Major | 3 | 12B | 82 BPM | ||
| London Is Waiting | Austin Wintory, Assassin's Creed | E Minor | 4 | 9A | 179 BPM | ||
| Cutlass | Elitsa Alexandrova, Assassin's Creed | G Major | 5 | 9B | 100 BPM | ||
| Battle The Darkspawn Hordes | EA Games Soundtrack | F♯ Minor | 7 | 11A | 120 BPM | ||
| Santa Lucia | Joe Henson, Alexis Smith, Assassin's Creed | D♭ Major | 6 | 3B | 115 BPM | ||
| Archers on the Wall - Valor | Borough Bound | D♭ Major | 7 | 3B | 176 BPM | ||
| Town in Chaos | Stuart Chatwood | A Major | 10 | 11B | 144 BPM | ||
| The Answer Is Yours | Mikhail Kotov | B♭ Major | 7 | 6B | 85 BPM | ||
| The Final Hour | Bill Brown, Mikael Sandgren | G Major | 4 | 9B | 135 BPM | ||
| Hidden Temple | Cris Velasco, Assassin's Creed | B Minor | 3 | 10A | 86 BPM | ||
| Trapped | Krzysztof Wierzynkiewicz | C Major | 9 | 8B | 100 BPM | ||
| The Battle Rages (From Baldur's Gate: Dark Alliance 2) | Craig Stuart Garfinkle | F Minor | 7 | 4A | 180 BPM | ||
| The Fleets Arrive | Sam Hulick | C Major | 4 | 8B | 101 BPM | ||
| So Much for a House Call | Austin Wintory, Assassin's Creed | F Minor | 7 | 4A | 120 BPM | ||
| The Betrayal | EA Games Soundtrack | A Minor | 6 | 8A | 61 BPM | ||
| Hausbrjótr - Skullcrusher | Einar Selvik, Assassin's Creed | D Minor | 8 | 7A | 130 BPM | ||
| The Battle of Kadesh | Elitsa Alexandrova, Assassin's Creed | F Major | 6 | 7B | 78 BPM | ||
| For Blood, for Glory, for Honor | Jeremy Soule | C Minor | 5 | 5A | 150 BPM |