"The Fleets Arrive" by Sam Hulick had its release date on April 24, 2012. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in EA Games Soundtrack's "Mass Effect 3 (Original Soundtrack)" album is number 19 out of 23. On top of that, Canada appears to be the country where this track was created. In terms of popularity, The Fleets Arrive is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Fleets Arrive by Sam Hulick to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Imperial Fleet | Andreas Waldetoft | E Minor | 5 | 9A | 95 BPM | ||
| The Normandy Attacked | Jack Wall | G Minor | 8 | 6A | 82 BPM | ||
| Gears of War | Kevin Riepl | D Major | 3 | 10B | 80 BPM | ||
| The Final Charge | Hans Zimmer | G Minor | 5 | 6A | 77 BPM | ||
| Diablo III: Overture | Crouch End Festival Chorus, London Philharmonic Orchestra | D Major | 3 | 10B | 72 BPM | ||
| Pit of Maledictus | Doyle W. Donehoo | B♭ Major | 4 | 6B | 145 BPM | ||
| The Road to Masysaf | Lorne Balfe, Assassin's Creed | G Minor | 5 | 6A | 110 BPM | ||
| Dragon Age Origins | EA Games Soundtrack | E Minor | 6 | 9A | 114 BPM | ||
| Skyrim Trailer Theme (Instrumental Remix) (Piano and Strings) | Monsalve | B Minor | 5 | 10A | 170 BPM | ||
| Victory (feat. Julie Elven) - Part 1 - Motherland | Joris de Man, Julie Elven | D♭ Major | 3 | 3B | 121 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| Death or Sovngarde | Jeremy Soule, The Elder Scrolls | F Minor | 5 | 4A | 85 BPM | ||
| Halo Live | Czech Philharmonic Chamber Orchestra & Kuehn's Mixed Choir | C Minor | 5 | 5A | 78 BPM | ||
| Stellaris Suite: Creation And Beyond (From Stellaris Original Game Soundtrack) | Andreas Waldetoft | D Minor | 3 | 7A | 95 BPM | ||
| Battlefield 2: Theme | Joel Eriksson, Andrew Skeet, London Philharmonic Orchestra | B♭ Minor | 6 | 3A | 111 BPM | ||
| Hologram Myth (feat. Julie Elven) - Part 1 - Motherland | Joris de Man, Julie Elven | B♭ Minor | 5 | 3A | 158 BPM | ||
| Chrono Cross - "Scars of Time" | Video Games Live | E Minor | 6 | 9A | 112 BPM | ||
| The Summit | Ramin Djawadi | G Minor | 4 | 6A | 108 BPM | ||
| Train Ride To Hell | Kevin Riepl | G Major | 5 | 9B | 176 BPM | ||
| Surkesh | Christopher Lennertz | C Major | 5 | 8B | 94 BPM | ||
| I Will Watch Over the Ones Who Live On | Sam Hulick | G Minor | 2 | 6A | 110 BPM | ||
| The Beast Of Beauclair | Marcin Przybyłowicz | G Major | 9 | 9B | 90 BPM | ||
| We Face Our Enemy Together | Sam Hulick | E Minor | 3 | 9A | 75 BPM | ||
| Wolverines | Ramin Djawadi, Bobby Tahouri, Bryce Jacobs, Dominic Lewis | A♭ Minor | 3 | 1A | 77 BPM | ||
| Walking Barefoot | Tilman Sillescu, Conny Kollet | F♯ Minor | 4 | 11A | 136 BPM |