"The Final Charge" by Hans Zimmer had its release date on December 23, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since The Final Charge only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. The Final Charge is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Final Charge by Hans Zimmer having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sherwood Forest | Marc Streitenfeld | A Minor | 1 | 8A | 91 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| Next In Line | Jeff Beal | D Minor | 3 | 7A | 82 BPM | ||
| From the Ashes Reborn | Twelve Titans Music | D♭ Major | 4 | 3B | 137 BPM | ||
| District 9 | Clinton Shorter | C Minor | 3 | 5A | 135 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| A Good Life...Good Enough / End Titles | Christopher Drake | G Minor | 3 | 6A | 103 BPM | ||
| The Far Side of the World | Iva Davies, Richard Tognetti, Christopher Gordon | C Major | 3 | 8B | 132 BPM | ||
| I Can't Hear You | Rupert Gregson-Williams | E Minor | 1 | 9A | 136 BPM | ||
| Radical Notion | Hans Zimmer | A♭ Major | 2 | 4B | 168 BPM | ||
| Halo: Never Forget/Peril | London Philharmonic Orchestra | D♭ Major | 1 | 3B | 122 BPM | ||
| Splinter Cell: Conviction | Amon Tobin, Kaveh Cohen, Michael Nielsen, Andrew Skeet, London Philharmonic Orchestra | F♯ Minor | 4 | 11A | 95 BPM | ||
| Acts of Courage | X-Ray Dog Music | D♭ Minor | 5 | 12A | 100 BPM | ||
| Taken | Hans Zimmer | G Minor | 2 | 6A | 106 BPM | ||
| Greeks are Winning | Junkie XL | D♭ Major | 4 | 3B | 80 BPM | ||
| Arriving Nickerson's Lair | Roque Baños | C Minor | 1 | 5A | 82 BPM | ||
| Anything Is Possible | Don Davis | D Minor | 2 | 7A | 119 BPM | ||
| Ironclad | Clint Mansell | D Minor | 4 | 7A | 142 BPM | ||
| Am I Not Human? | Nick Phoenix, Two Steps from Hell | D Minor | 7 | 7A | 125 BPM | ||
| My Name Is Barbossa | Geoff Zanelli | F Major | 3 | 7B | 89 BPM | ||
| Surkesh | Christopher Lennertz | C Major | 5 | 8B | 94 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Stars Above, Earth Below | Twelve Titans Music | D Minor | 5 | 7A | 87 BPM | ||
| Into the Fog | Iva Davies, Richard Tognetti, Christopher Gordon | A♭ Major | 5 | 4B | 180 BPM | ||
| The Rock Suite | Nick Glennie-Smith, Hans Zimmer, Rusanda Panfili, Nairobi Chamber Choir, Odessa Orchestra & Friends, Gavin Greenaway | D Minor | 6 | 7A | 98 BPM |