"Silent Approach" by Cris Velasco, Assassin's Creed had its release date on January 13, 2015. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 11 in Assassin's Creed Unity Dead Kings (Original Game Soundtrack) by Cris Velasco. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Silent Approach's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Silent Approach by Cris Velasco, Assassin's Creed is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lurking Terror | P.T. Adamczyk | F Minor | 0 | 4A | 82 BPM | ||
| So Much for a House Call | Austin Wintory, Assassin's Creed | F Minor | 7 | 4A | 120 BPM | ||
| Prison Escape | Maxime Hervé | A♭ Major | 2 | 4B | 100 BPM | ||
| Outlaw | John Paesano | C Major | 2 | 8B | 99 BPM | ||
| The Last Medjay | Sarah Schachner, Assassin's Creed | F Major | 3 | 7B | 70 BPM | ||
| One Last Fight: Exploration | Daniel Licht | D Minor | 2 | 7A | 99 BPM | ||
| Hushed Blades | Brendan Angelides, Assassin's Creed | C Minor | 3 | 5A | 74 BPM | ||
| Tombs and Tunnels | Kevin Riepl | G Major | 2 | 9B | 160 BPM | ||
| Aristocrats of Karnaca (Suspense) | Daniel Licht | B Major | 1 | 1B | 62 BPM | ||
| Veterans of the Desolation | Maclaine Diemer | G Major | 0 | 9B | 79 BPM | ||
| Surtr | Einar Selvik, Assassin's Creed | E Minor | 8 | 9A | 100 BPM | ||
| Cobblestone and Fog | Bear McCreary, Assassin's Creed | D Major | 7 | 10B | 132 BPM | ||
| Rasping Rifts | Dmitry V. Silantyev | G Major | 2 | 9B | 130 BPM | ||
| Ancient Kithara | Kalia Lyraki | B♭ Minor | 1 | 3A | 170 BPM | ||
| London Is Waiting | Austin Wintory, Assassin's Creed | E Minor | 4 | 9A | 179 BPM | ||
| The Breath of Kynareth | Brad Derrick | C Minor | 2 | 5A | 93 BPM | ||
| The Hunting Ground | Stephanie Economou, Assassin's Creed | D♭ Major | 3 | 3B | 116 BPM | ||
| To Your Stealth | Chris Tilton | A♭ Minor | 2 | 1A | 125 BPM | ||
| Cave Theme | Marcin Przybyłowicz | G Major | 3 | 9B | 132 BPM | ||
| Bloodlines | Austin Wintory, Assassin's Creed | G Minor | 3 | 6A | 72 BPM | ||
| Blood And Copper | Kevin Riepl | G Major | 1 | 9B | 67 BPM | ||
| The Lady of the Water | Gergely Buttinger | B♭ Major | 4 | 6B | 104 BPM | ||
| Reunion With Mira | Cris Velasco, Sascha Dikiciyan | F Major | 2 | 7B | 135 BPM | ||
| The Jinni | Brendan Angelides, Assassin's Creed, Faris Ishaq | G Major | 3 | 9B | 84 BPM | ||
| Alabastra | Grant Kirkhope | C Minor | 1 | 5A | 67 BPM |