- BPM
- 134
- Key
- C Major
- Camelot
- 8B
Riser by Matthias Hoffmann Song Details
Matthias Hoffmann's ' "Riser" was released on its scheduled release date, July 31, 2022. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Riser's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 6 in the song's album "Roses". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Riser's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
With Riser by Matthias Hoffmann having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.646 dB
- Acousticness
- 1%
- Danceability
- 79%
- Energy
- 16%
- Instrumentalness
- 90%
- Liveness
- 8%
- Loudness
- 59%
- Speechiness
- 33%
- Valence
- 43%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | |
 | Heartbass - Original Mix | Todor Ivanov, Matthias Hoffmann | D♭ Major | 8 | 3B | 127 BPM | |
 | Wagner: Lohengrin, Act 3: "Weh! Weh! Du edler, holder Mann!" (Chor, König Heinrich, Ortrud, Lohengrin, Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Dunja Vejzović, Karl Ridderbusch, René Kollo | F Major | 0 | 7B | 80 BPM | |
 | Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Messa di Gloria, Op.posth., Credo: Crucifuxus etiam pro nobis | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 0 | 5A | 134 BPM | |
 | Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | |
 | Minnespiel, Op. 101 (Excerpts): No. 5, Schön ist das Fest des Lenzes | Robert Schumann, Anna Palimina, Marion Eckstein, Simon Bode, Matthias Hoffmann, Ulrich Eisenlohr | B♭ Major | 3 | 6B | 127 BPM | |
 | Bevenuto Cellini, Op. 23 (Weimar version): Act III Scene 8: Recitative: Ah! Maitre (Teresa, Ascanio, Cellini) | Hector Berlioz, Bruce Ford, Laura Claycomb, Franz Hawlata, Monica Groop, Christopher Maltman, Ralf Lukas, Johannes Chum, Reinhard Mayr, Ekkehard Wagner, Ekkehard Vogler, Matthias Hoffmann, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | D♭ Major | 2 | 3B | 81 BPM | |
 | Der Messias - In deutscher Sprache / Dritter Teil: 51. Chor "Würdig ist das Lamm" | George Frideric Handel, Münchener Bach-Orchester, Karl Richter, Elmar Schloter, Münchener Bach-Chor | D Major | 4 | 10B | 111 BPM | |
 | Fidelio, Op. 72, Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | |
 | Aida: Act II: Ma tu, Re, tu signore possente | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | F Major | 4 | 7B | 146 BPM | |
 | Die Fledermaus, Act I: Duett. Komm mit mir zum Souper (Eisenstein, Falke) | Johann Strauss II, Friedrich Haider, Paul Armin Edelmann, Miljenko Turk, WDR Rundfunkorchester Köln | F Major | 1 | 7B | 112 BPM | |
 | Le chic disco - Michi Muzik Remix | Eddie Amador, Todor Ivanov, Matthias Hoffmann, Dez, Michi Muzik | F Major | 5 | 7B | 127 BPM | |
 | Messa da Requiem: I. Requiem - Kyrie | Giuseppe Verdi, Krassimira Stoyanova, Marina Prudenskaya, Charles Castronovo, Georg Zeppenfeld, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann | A Major | 3 | 11B | 79 BPM | |
 | Requiem, Op. 9: Pie Jesu | Maurice Duruflé, Okka von der Damerau, Ivan Repušić, Munich Radio Orchestra, Uladzimir Sinkevich | A♭ Major | 1 | 4B | 82 BPM | |
 | Strauss, R: 5 Lieder, Op. 41: No. 1, Wiegenlied | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | D Major | 0 | 10B | 88 BPM | |
 | Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 15. Nachtigall, sie singt so schön | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | E♭ Major | 1 | 5B | 105 BPM | |
 | Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Andreas Schmidt, Cord Garben | D♭ Major | 0 | 3B | 62 BPM | |
 | Rising - Original Mix | Todor Ivanov, Matthias Hoffmann | G Major | 8 | 9B | 125 BPM | |
 | Feel My Body | Matthias Hoffmann | B Minor | 10 | 10A | 133 BPM | |
 | Lohengrin: Treulich geführt | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 2 | 6B | 92 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 2 "Ein Männlein steht im Walde" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 0 | 7B | 66 BPM | |
 | Mendelssohn: Elias, Op. 70, MWV A25, Pt. 2: No. 42, Schlusschor. "Alsdann wird euer Licht hervorbrechen" | Felix Mendelssohn, James Conlon, Chor des Städtischen Musikvereins zu Düsseldorf, Gürzenich Orchester Köln | D Major | 2 | 10B | 99 BPM | |
 | Weber: Der Freischütz, Op. 77, J. 277, Act 3 Scene 2: No. 12, Kavatine, "Und ob die Wolke sie verhülle" (Agathe) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | F Major | 1 | 7B | 110 BPM | |
 | Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM |
- ISRC
- SE6XW2239125
- Label
- L-M Records/RCA Records