"Sextet in G Minor, Op. 142: III. Rondo. Allegretto" by Ferdinand Ries, Franz Ensemble, Maximilian Krome, Rie Koyama, Sarah Christian, Yuko Hara, Tristan Cornut, Juliane Bruckmann, Kiveli Doerken, Jonathan Wegloop, Emily Hoile had its release date on August 1, 2019. This song is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Ries: Chamber Music". In this album, this song's track order is #3. In terms of popularity, Sextet in G Minor, Op. 142: III. Rondo. Allegretto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sextet in G Minor, Op. 142: III. Rondo. Allegretto by Ferdinand Ries, Franz Ensemble, Maximilian Krome, Rie Koyama, Sarah Christian, Yuko Hara, Tristan Cornut, Juliane Bruckmann, Kiveli Doerken, Jonathan Wegloop, Emily Hoile having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
| Concerto for 2 Horns in E-Flat Major, WoO 19: III. Rondo | Ferdinand Ries, Teunis van der Zwart, Erwin Wieringa, Orchester der Kölner Akademie, Michael Alexander Willens | E♭ Major | 1 | 5B | 131 BPM | ||
| Huit Nocturnes, Op. 368: No. 3 in A-Flat Major | Carl Czerny, Isabelle Oehmichen | A♭ Major | 0 | 4B | 63 BPM | ||
| Piano Trio in G Major, Hob. XV:25: III. Finale. Rondo, in the Gipsies' style | Joseph Haydn, Wiener Klaviertrio | F Major | 0 | 7B | 87 BPM | ||
| Nocturne No.18 in F Major, H.62 | John Field, Elizabeth Joy Roe | F Major | 0 | 7B | 72 BPM | ||
| Piano Concerto No. 1 in E-Flat Major, H. 27: II. Air écossais, "Twas within a mile of Edinboro' Town" | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 116 BPM | ||
| Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | G Major | 1 | 9B | 82 BPM | ||
| Haydn: Piano Concerto in D Major, Hob. XVIII:11: II. Un poco adagio | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | A Minor | 0 | 8A | 78 BPM | ||
| 7 Fantasies, Op. 116: II. Intermezzo in A Minor | Johannes Brahms, Denis Kozhukhin | A Minor | 0 | 8A | 63 BPM | ||
| Lieder Ohne Worte. Op. 67,: No. 4, Spinning Song - Duo-Art 6569 | Felix Mendelssohn, Ignacy Jan Paderewski, Peter Phillips | F Major | 0 | 7B | 87 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Sarabande und Chaconne aus dem Singspiel Almira von Händel, S. 181: Sarabande | George Frideric Handel, Roberto Cominati | C Minor | 0 | 5A | 66 BPM | ||
| Die Konige in Israel, Op. 186: Pt. 2: Aria. Geist Samuels, des Sohns el-kanas (Hexe von Endor) | Ferdinand Ries, Nele Gramss, Gerhild Romberger, Ewa Wolak, Markus Schäfer, Harry Van Der Kamp, Marek Rzepka, Kai Florian Bischoff, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | E♭ Minor | 0 | 2A | 67 BPM | ||
| Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo - Vivace | Frédéric Chopin, Evgeny Kissin, Dmitri Kitayenko, Moscow Philharmonic Orchestra | E Major | 2 | 12B | 120 BPM | ||
| Suite No. 3 in D Minor, HWV 428: I. Prelude | George Frideric Handel, Danny Driver | G Major | 1 | 9B | 107 BPM | ||
| Symphony No. 4 in D Minor: III. Scherzo. Presto - Trio - Scherzo - Trio - Largo (1841) | Robert Schumann, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 0 | 4B | 94 BPM | ||
| Symphony in C Major, VB 139: III. Allegro | Joseph Martin Kraus, Swedish Chamber Orchestra, Petter Sundkvist | C Major | 2 | 8B | 142 BPM | ||
| Passacaglia & Fugue in C Minor, BWV 582 (Arr. for Orchestra by Sir Andrew Davis): I. Passacaglia | Johann Sebastian Bach, BBC Philharmonic, Sir Andrew Davis | E♭ Major | 0 | 5B | 73 BPM | ||
| Symphony in C Minor, Bryan Cm2: IV. Allegro molto | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | C Minor | 1 | 5A | 87 BPM | ||
| Variations on "Là ci darem la mano" from Mozart's Don Giovanni, Op. 2: Var. I. Brillante | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | F Major | 2 | 7B | 79 BPM | ||
| Symphony in B-Flat Major, F. 30: II. Andante | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 150 BPM | ||
| 弦楽セレナード ホ短調 作品20: 第1楽章: Allegro piacevole | Edward Elgar, 石田組 | E Minor | 1 | 9A | 132 BPM | ||
| Nocturne No. 14 in C Major. Molto moderato | John Field, John O'Conor | D Minor | 3 | 7A | 156 BPM | ||
| Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto | Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd | F Major | 1 | 7B | 134 BPM | ||
| Serenade No. 1 in D Major, Op. 9: I. Andante | Robert Fuchs, Kolner Kammerorchester, Christian Ludwig | C Minor | 1 | 5A | 111 BPM |