Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly's ' "Jazz Suite No. 1: II. Polka" was released on its scheduled release date, January 1, 1992. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Shostakovich: The Jazz Album". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Jazz Suite No. 1: II. Polka's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Jazz Suite No. 1: II. Polka by Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jazz Pizzicato | Leroy Anderson | G Major | 2 | 9B | 90 BPM | ||
| 8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM | ||
| Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| Pines of Rome, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | C Minor | 1 | 5A | 90 BPM | ||
| Preludio a Orchestra | Giacomo Puccini, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | E♭ Major | 2 | 5B | 84 BPM | ||
| King's Row (Suite) | Charles Gerhardt, RCA Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Hungarian Dance No. 4 in F sharp minor - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Minor | 1 | 4A | 70 BPM | ||
| La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
| Danse macabre, Op. 40 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | G Minor | 2 | 6A | 112 BPM | ||
| Snow White: VIII. Games and Fun | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Maskerade-Suite: I. Waltz | Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra | G Major | 10 | 9B | 107 BPM | ||
| Gayane Suite No. 2: I. Harvest Holiday | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 4 | 4B | 97 BPM | ||
| Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Lars Hjalmar Joakim | A Major | 4 | 11B | 126 BPM | ||
| Japanese Suite, Op. 33, H. 126: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
| Verdi: Ballet (Otello): Verdi: Ballet (Otello) | Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 120 BPM | ||
| Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra, Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
| Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
| Le merle blanc, Op. 161 | Eugène Damaré, Ensemble Instrumental La Follia, Jean-Louis Beaumadier | D Major | 3 | 10B | 119 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
| Symphony No. 9 in E-Flat Major, Op. 70: III. Presto | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | G Major | 4 | 9B | 126 BPM | ||
| Symphonie Espagnole In D Minor, Op.21: 4. Andante | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 1 | 10B | 91 BPM |