On March 21, 2025, the song "Snow White: VIII. Games and Fun" was released by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Snow White: VIII. Games and Fun's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Litvinovsky, Nikolay Donskoy, Pavel Lyubomudrov, Metamorphose String Orchestra's "Litvinovsky: Snow White (Suite for String Orchestra and Flute)" album is number 8 out of 19. On top of that, Italy appears to be the country where this track was created. Snow White: VIII. Games and Fun is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Snow White: VIII. Games and Fun by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Corsaire: Alt. Tempo: II - "7 Grand Pas: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | E♭ Major | 2 | 5B | 120 BPM | ||
| Le grand cahier: V. La servante et l'ordonnance | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | A Major | 1 | 11B | 95 BPM | ||
| Don Quixote: Prologue: Allegro assai | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 3 | 10B | 141 BPM | ||
| Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Polka (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 148 BPM | ||
| Coppélia, Tableau 1: Prélude - Mazurka | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| L'Arlésienne Suite No. 2, GB 121b: IV. Farandole | Georges Bizet, Orquesta Reino de Aragón, Ricardo Casero | B♭ Major | 1 | 6B | 77 BPM | ||
| Elisen-Polka, Op. 151 | Johann Strauss II, Robert Stolz | E Minor | 5 | 9A | 106 BPM | ||
| Piefke und Pufke-Polka, Op. 235 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | B♭ Major | 2 | 6B | 87 BPM | ||
| La Bayadere, Act II: 24. "Parrot Dance" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 185 BPM | ||
| Slavonic Dances, Series I, B. 83: No. 6 in D Major, Sousedská. Allegretto scherzando | Antonín Dvořák, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 133 BPM | ||
| Schatz-walzer, Op. 418: Der Zigeunerbaron: Schatz-walzer (Treasure Waltz), Op. 418 | Strauss Festival Orchestra, Johann Strauss II | G Major | 1 | 9B | 97 BPM | ||
| Tahiti Trot | Vincent Youmans, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 85 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): I. Marche des contrebandiers | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| Pinocchio: IV. Mangiafuoco terrificante | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova | D Minor | 2 | 7A | 85 BPM | ||
| Fächer - polonaise Op. 525 - Arr. Max Schoenherr | Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner | D Major | 3 | 10B | 93 BPM | ||
| Banditenstreiche: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | G Major | 3 | 9B | 117 BPM | ||
| No. 16 Ballabile | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 91 BPM | ||
| Chamber Concerto in D Major, RV 93: I. No tempo indication - Arr. for Guitar and Orchestra | Antonio Vivaldi, Metamorphose String Orchestra, Pavel Lyubomudrov, Yuri Nehai | D Major | 2 | 10B | 111 BPM | ||
| Le Corsaire: Pas d Esclave - Coda | Prince Pyotr Von Oldenburg, English National Ballet Philharmonic, Gavin Sutherland | E Major | 1 | 12B | 143 BPM | ||
| Das Veilchenmädel: Fidele Brüder | Joseph Hellmesberger, Jr., Riccardo Muti, Wiener Philharmoniker | B♭ Major | 3 | 6B | 110 BPM | ||
| Dorfschwalben aus Österreich, Walzer, Op. 164 | Josef Strauss, Riccardo Muti, Wiener Philharmoniker | A Minor | 1 | 8A | 87 BPM | ||
| Fučík: Der alte Brummbär, Op. 210 | Julius Fučík, Václav Neumann, Jiří Formacek, Czech Philharmonic | F Major | 2 | 7B | 82 BPM | ||
| Lanner: Jäger Lust, Op. 82 | Joseph Lanner, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 2 | 7B | 137 BPM |