Joseph Hellmesberger, Jr., Riccardo Muti, Wiener Philharmoniker's ' "Das Veilchenmädel: Fidele Brüder" was released on its scheduled release date, January 10, 2025. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Das Veilchenmädel: Fidele Brüder's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Neujahrskonzert 2025 / New Year's Concert 2025 / Concert du Nouvel An 2025". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Das Veilchenmädel: Fidele Brüder is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Das Veilchenmädel: Fidele Brüder by Joseph Hellmesberger, Jr., Riccardo Muti, Wiener Philharmoniker having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Glædeligt Nytaar! | Hans Christian Lumbye, Christian Thielemann, Wiener Philharmoniker | A Major | 4 | 11B | 100 BPM | ||
| Ouvertüre (Der Freischütz) | Wiener Philharmoniker, Maud Cunitz, Reinhold Siegert, Franz Bierbach, Alfred Poell, Emmy Loose, Hans Hopf, Marjan Rus, Otto Edelmann, Maria Schober, Vienna State Opera Chorus, Karl Dönch, Anny Felbermayer | C Major | 2 | 8B | 107 BPM | ||
| Roland Furieux: II. Andante tranquillo | Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz | E♭ Major | 1 | 5B | 88 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: I. Marche "Trompette et tambour" | Georges Bizet, Alexander Gibson, Scottish National Orchestra | E♭ Major | 1 | 5B | 95 BPM | ||
| Die Landstreicher: Ouvertüre | Carl Michael Ziehrer, Andris Nelsons, Wiener Philharmoniker | E♭ Major | 3 | 5B | 141 BPM | ||
| Wagner: Lohengrin, WWV 75, Act 3 Scene 1: Prelude (Sehr lebhaft) | Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker | G Major | 3 | 9B | 80 BPM | ||
| Mein Lebenslauf ist Lieb` und Lust (Walzer, Nr.236) | Wiener Philharmoniker | C Major | 2 | 8B | 93 BPM | ||
| La damnation de Faust, H. 111: Marche hongroise | Hector Berlioz, Wiener Philharmoniker, Tugan Sokhiev | A Major | 3 | 11B | 94 BPM | ||
| Frauenwürde, Walzer, Op. 277 | Josef Strauss, Wiener Philharmoniker, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 95 BPM | ||
| Carmen / Act 3: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 121 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 77 BPM | ||
| Bad'ner Mad'ln, Walzer, Op. 257 | Karel Komzák, Jr., Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 97 BPM | ||
| Wo man lacht und lebt, Schnellpolka, Op. 108 | Eduard Strauss, Zubin Mehta, Wiener Philharmoniker | D Major | 5 | 10B | 84 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
| In Saus und Braus | Carl Millöcker, Riccardo Muti, Wiener Philharmoniker | F Major | 4 | 7B | 84 BPM | ||
| Malapou-Galopp, Op. 148 | Joseph Lanner, Wiener Lanner Ensemble | A Major | 2 | 11B | 157 BPM | ||
| Danse diabolique | Joseph Hellmesberger, Jr., Mariss Jansons, Wiener Philharmoniker | B♭ Major | 5 | 6B | 87 BPM | ||
| Gounod: Faust, CG 4, Act 5 Scene 2: Ballet Music, 4. Variations de Cléopâtre (Moderato maestoso) | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | B♭ Major | 0 | 6B | 74 BPM | ||
| Sylvia: Pizzicati | Léo Delibes, Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 0 | 5B | 120 BPM | ||
| Strauss, E: Gruss an Prag, Op. 114 | Eduard Strauss, Wiener Philharmoniker, Riccardo Muti | D Major | 2 | 10B | 90 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 17 in F-Sharp Minor. Andantino (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 1 | 11A | 141 BPM | ||
| Radetzky March Op. 228 | Riccardo Muti, Wiener Philharmoniker | A Major | 5 | 11B | 106 BPM | ||
| Fucik : Florentiner-Marsch Op.214 | Julius Fučík, Václav Neumann, Czech Philharmonic | F Major | 4 | 7B | 125 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - Andante cantabile | Sergei Rachmaninoff, Daniel Harding, Wiener Philharmoniker, Igor Levit | D♭ Major | 1 | 3B | 183 BPM | ||
| Diplomaten-Polka, Op. 448 | Johann Strauss II, Wiener Philharmoniker, Yannick Nézet-Séguin | E♭ Major | 1 | 5B | 95 BPM |