Avi Avital, Richard Galliano's 'Csárdás' had a release date set for January 1, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 38 in Between Worlds (Including Spotify Commentary) by Avi Avital. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Csárdás is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Csárdás by Avi Avital, Richard Galliano is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | ||
| I’ te vurria vasà | Vincenzo Russo, Roberto Alagna, London Orchestra, Yvan Cassar, Avi Avital | F Minor | 4 | 4A | 81 BPM | ||
| Quintet for Bassoon, Violin, 2 Violas and Violoncello in B-Flat Major, Op. 14: III. Andante | Johann Evangelist Brandl, Calamus Ensemble | B♭ Major | 1 | 6B | 136 BPM | ||
| Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | ||
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
| Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | ||
| The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | ||
| Trio Sonata In C Major, RV 82: 1. Allegro non molto (quasi andante) | Antonio Vivaldi, Avi Avital, Mahan Esfahani, Ophira Zakai, Patrick Sepec | G Major | 2 | 9B | 151 BPM | ||
| Sonata a Tre for Mandolin, Guitar, Harpsichord: III. Lo stesso movimento | Paul Ben-Haim, Avi Avital, Sean Shibe, Yizhar Karshon | A♭ Minor | 1 | 1A | 77 BPM | ||
| Faronell's Division | John Playford, Jordi Savall, Hespèrion XXI | C Major | 1 | 8B | 145 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
| Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 134 BPM | ||
| Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | ||
| Sicilienne | Gabriel Fauré, Cocomi, Miloš Karadaglić | E♭ Major | 0 | 5B | 140 BPM | ||
| Ladino Songs: No. 3, Una matica de ruda | Traditional, Jonathan Keren, Avi Avital, Between Worlds | B Minor | 3 | 10A | 117 BPM | ||
| Song of the Birds | Pablo Casals, Sol Gabetta, Amsterdam Sinfonietta | D Major | 1 | 10B | 68 BPM | ||
| 12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre, Lucero Tena | E Minor | 1 | 9A | 151 BPM | ||
| Suite antique (Version for Guitar) [Excerpts]: I. Prélude | John Rutter, Graham Anthony Devine | A Minor | 0 | 8A | 119 BPM | ||
| Cassadó: Toccata (in the Style of Frescobaldi) | Mstislav Rostropovich, Herbert Tachezi | D Major | 1 | 10B | 91 BPM | ||
| 6 Romanian Folk Dances, BB 68, Sz. 56: No. 4 Dance From Bucsum | Avi Avital, Kammerakademie Potsdam | D Major | 3 | 10B | 68 BPM | ||
| Quintet No. 4 for Guitar and Strings in D G.448 - "Fandango": 4. Fandango | Luigi Boccherini, Miloš Karadaglić, English Chamber Orchestra, Paul Watkins | B♭ Major | 1 | 6B | 137 BPM | ||
| Csárdás | Avi Avital, Richard Galliano | D Minor | 3 | 7A | 92 BPM | ||
| The Source and the Sea (Balada Al Maayan Ve`Yam) | Avi Avital, Omer Avital | D Minor | 1 | 7A | 122 BPM |