Damon Locks, Rob Mazurek's ' "Flitting Splits Reverb Adage" was released on its scheduled release date, July 28, 2023. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "New Future City Radio". In this album, this song's track order is #14. In terms of popularity, Flitting Splits Reverb Adage is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Flitting Splits Reverb Adage by Damon Locks, Rob Mazurek having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Floating With an Intimate Stranger | Mike Reed, Ben LaMar Gay, Bitchin Bajas, Marvin Tate | A Minor | 3 | 8A | 130 BPM | ||
| An Introduction By Irvine Welsh | Warmduscher | A Major | 7 | 11B | 100 BPM | ||
| Despectiva caridad | Los Pirañas | F Minor | 7 | 4A | 83 BPM | ||
| Miss America | Steph Richards, Qasim Naqvi | G Minor | 1 | 6A | 135 BPM | ||
| Murmuration | Flock, Bex Burch, Sarathy Korwar, Danalogue, Al MacSween, Tamar Osborn | F♯ Major | 5 | 2B | 122 BPM | ||
| Ain't Nice | Cassie Watson Francillon, Aquiles Navarro | E Minor | 7 | 9A | 113 BPM | ||
| Cincinnati Hush Job | Equipment Pointed Ankh | C Major | 5 | 8B | 80 BPM | ||
| If I Ever Let You Go | Eddie Chacon | D♭ Minor | 5 | 12A | 150 BPM | ||
| Scene 1 | Sumac, Moor Mother | E Major | 8 | 12B | 111 BPM | ||
| No One Is Spared Who Goes Down The Deep Well | Flock, Bex Burch, Danalogue, Al MacSween, Sarathy Korwar, Tamar Osborn | C Major | 4 | 8B | 115 BPM | ||
| For You, This Eve, the Wolves Will Be Enchantingly Forsaken | Širom | D♭ Major | 7 | 3B | 108 BPM | ||
| Cycles Of Growth (feat. esperanza spalding) | Shabaka, Esperanza Spalding | B♭ Minor | 3 | 3A | 120 BPM | ||
| Opening (Notches on A Clock Face) | Cassie Kinoshi, SEED Ensemble | A♭ Major | 1 | 4B | 90 BPM | ||
| Managing My Breath, What Fear Had Become (feat. Saul Williams) | Shabaka, Saul Williams | F Major | 2 | 7B | 84 BPM | ||
| Plants No Virtues | V/Z, Valentina Magaletti, Zongamin, Venus Ex Machina | C Major | 3 | 8B | 166 BPM | ||
| Egyptian Suite / Part 2: Triangulation of Light | Chicago Underground Duo | D♭ Major | 3 | 3B | 129 BPM | ||
| Who Happens If | Josh Johnson | B♭ Minor | 3 | 3A | 81 BPM | ||
| Girl (Now We're the Same) | Brittany Davis | A Major | 4 | 11B | 102 BPM | ||
| Black Family | Angel Bat Dawid | D Major | 3 | 10B | 119 BPM | ||
| Mouth Words | SML | A Minor | 7 | 8A | 160 BPM | ||
| Field Negus | Sons Of Kemet, Joshua Idehen | D♭ Major | 6 | 3B | 135 BPM | ||
| Keep Your Mind Free | Damon Locks, Black Monument Ensemble, Ben LaMar Gay | C Major | 6 | 8B | 126 BPM | ||
| Lost & Found | Man Jova | A♭ Major | 4 | 4B | 95 BPM | ||
| Your Soul | Mike Reed, Bitchin Bajas, Ben LaMar Gay, Marvin Tate | A Minor | 4 | 8A | 141 BPM | ||
| Champa Flower | Zoh Amba | B Major | 3 | 1B | 112 BPM |