"Managing My Breath, What Fear Had Become (feat. Saul Williams)" by Shabaka, Saul Williams had its release date on April 12, 2024. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Perceive Its Beauty, Acknowledge Its Grace". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Managing My Breath, What Fear Had Become (feat. Saul Williams) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Managing My Breath, What Fear Had Become (feat. Saul Williams) by Shabaka, Saul Williams having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Honey High and Blue | Shigeto, KESSWA | D♭ Minor | 2 | 12A | 135 BPM | ||
| Is It Over Now? | Niecy Blues, Joy Guidry | A♭ Major | 5 | 4B | 118 BPM | ||
| Memories don’t live like people do | Shabaka | E Major | 2 | 12B | 128 BPM | ||
| Space 4 | Nala Sinephro | A Minor | 2 | 8A | 72 BPM | ||
| Ethiopia My Motherland | Emahoy Tsege Mariam Gebru | D♭ Major | 3 | 3B | 89 BPM | ||
| Triumphance | Nubya Garcia | D♭ Major | 7 | 3B | 146 BPM | ||
| The River Becomes the Stream | Work Money Death | G Minor | 4 | 6A | 131 BPM | ||
| Groundwork | Saul Williams | B Major | 5 | 1B | 144 BPM | ||
| The Wounded Need To Be Replenished | Shabaka | D♭ Major | 2 | 3B | 70 BPM | ||
| Designer Tags & Prison Bars | Nathan F Baker | E♭ Major | 3 | 5B | 169 BPM | ||
| Sound then Words | Saul Williams, Carlos Niño & Friends | A♭ Major | 4 | 4B | 107 BPM | ||
| Managing My Breath, What Fear Had Become (feat. Saul Williams) | Shabaka, Saul Williams | F Major | 2 | 7B | 84 BPM | ||
| Big Majestic | Ellen Reid | A Major | 2 | 11B | 68 BPM | ||
| I’ve Been Listening (feat. E L U C I D) | Shabaka, E L U C I D | C Major | 2 | 8B | 104 BPM | ||
| The Big Clock | Ezra Feinberg, David Moore, Britt Hewitt | C Major | 6 | 8B | 128 BPM | ||
| The Other Side of the Bridge | Holy Tongue, Shackleton | F♯ Major | 5 | 2B | 130 BPM | ||
| Control Freak | Saul Williams | F♯ Major | 9 | 2B | 110 BPM | ||
| What Purpose | Flock, Bex Burch, Sarathy Korwar, Danalogue, Al MacSween, Tamar Osborn | F♯ Major | 5 | 2B | 122 BPM | ||
| Ital is vital | Shabaka | G Major | 6 | 9B | 172 BPM | ||
| Fences | Shane Cooper, MABUTA, Shabaka | B♭ Minor | 7 | 3A | 137 BPM | ||
| The Bear / Coltan As Cotton | Saul Williams | C Major | 7 | 8B | 122 BPM | ||
| The Fast Flowing River | Work Money Death | F Minor | 5 | 4A | 153 BPM | ||
| Sax Rise - Regrown | Laura Misch | A Minor | 1 | 8A | 110 BPM | ||
| weathering | aja monet | B♭ Minor | 3 | 3A | 113 BPM | ||
| Mapinguari (Encantado da Mata) | Amaro Freitas | E Minor | 4 | 9A | 75 BPM |