Charlie Musselwhite's ' "Friends We Must Part" was released on its scheduled release date, May 21, 2013. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Walter Davis Project". In this album, this song's track order is #8. Based on our statistics, Friends We Must Part's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Friends We Must Part by Charlie Musselwhite having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Blues Overtook Me | Charlie Musselwhite | G Major | 8 | 9B | 147 BPM | ||
| You've Got To Move | Corey Harris | E Major | 0 | 12B | 105 BPM | ||
| Death Row | Mike Zito | D Major | 6 | 10B | 141 BPM | ||
| Flyin' High (Yesterday) | Johnny Copeland | A Major | 6 | 11B | 120 BPM | ||
| Smoked Jowl Blues | The Cash Box Kings | B Minor | 6 | 10A | 176 BPM | ||
| Midnight Hour Blues | Elvin Bishop & Charlie Musselwhite, Elvin Bishop, Charlie Musselwhite | G Major | 2 | 9B | 140 BPM | ||
| Live Every Day | Tommy Castro | A Major | 5 | 11B | 79 BPM | ||
| RL Burnside | Cedric Burnside, Lightnin' Malcom | F Major | 6 | 7B | 71 BPM | ||
| Bayou Stomp | Manuel Galvin, Jean-Jacques Milteau | A Major | 4 | 11B | 77 BPM | ||
| Moonlight Mile | Alvin Youngblood Hart | D Major | 5 | 10B | 127 BPM | ||
| Bury You in a Paper Sack | Snooky Pryor | C Major | 7 | 8B | 106 BPM | ||
| Baby Will You Please Help Me | Charlie Musselwhite | G Major | 4 | 9B | 113 BPM | ||
| If I Should Have Bad Luck (Live) | Hot Tuna, Charlie Musselwhite | E Major | 9 | 12B | 135 BPM | ||
| You Shook Me | Willie Dixon | F Major | 3 | 7B | 183 BPM | ||
| Blues Lover | Bob Margolin | G Major | 4 | 9B | 204 BPM | ||
| Christo Redemptor - Extended Version | Charlie Musselwhite | G Minor | 3 | 6A | 156 BPM | ||
| Blues Gave Me A Ride | Charlie Musselwhite | E Major | 4 | 12B | 100 BPM | ||
| Baby, What You Want Me To Do | Jimmy Reed | A Major | 4 | 11B | 95 BPM | ||
| Mean Old Lonesome Train | Sue Foley | C Minor | 4 | 5A | 146 BPM | ||
| Dog Days of August | Cephas & Wiggins | A Major | 4 | 11B | 106 BPM | ||
| Work Song | The Paul Butterfield Blues Band | F Minor | 6 | 4A | 174 BPM | ||
| Do The Memphis Grind | Duke Robillard | D Major | 8 | 10B | 94 BPM | ||
| I'm Your Breadmaker, Baby | Lazy Lester with Jimmie Vaughan | A Major | 6 | 11B | 121 BPM | ||
| Fine Little Angel (Take 1) | Lafayette Leake | F Major | 5 | 7B | 112 BPM | ||
| You Done Tore Your Playhouse Down Again | King Biscuit Boy | C Major | 5 | 8B | 168 BPM |