"Verrat" by Ralf Wengenmayr, Nik Reich, Jaro Messerschmidt had its release date on September 30, 2011. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Verrat's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wickie auf großer Fahrt (O.S.T.) by Various Artists. The song's track number on the album is #16 out of 27 tracks. Based on our data, Germany was the country where this track was produced or recorded. Verrat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verrat by Ralf Wengenmayr, Nik Reich, Jaro Messerschmidt has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verrat being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daisy, Daisy | Jóhann Jóhannsson | A Minor | 1 | 8A | 118 BPM | ||
| So Much Is Possible | Geoff Zanelli | E Major | 2 | 12B | 99 BPM | ||
| End Credits - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | E♭ Major | 0 | 5B | 67 BPM | ||
| The Last Farewell | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| The Palace | Guy Farley | A Minor | 1 | 8A | 119 BPM | ||
| Potting Mandrakes | J Scott Rakozy, Hogwarts Legacy | D♭ Major | 4 | 3B | 123 BPM | ||
| Lost in Space | Martin Phipps | B Minor | 1 | 10A | 84 BPM | ||
| My Favorite Day | Geoff Zanelli, Jon Brion | C Major | 1 | 8B | 82 BPM | ||
| Flug zum Elfenbeinturm | Klaus Doldinger | A Minor | 2 | 8A | 97 BPM | ||
| Now You See Me | Brian Tyler | D♭ Major | 5 | 3B | 101 BPM | ||
| The Weasley Stomp | Nicholas Hooper | C Major | 3 | 8B | 110 BPM | ||
| The Jungle Book Closes | John Debney | F Major | 1 | 7B | 66 BPM | ||
| The Pollen Jocks (From "Bee Movie" Soundtrack) | Rupert Gregson-Williams | C Major | 6 | 8B | 118 BPM | ||
| The Symphony of Everything (Momo's Theme) | Fil Eisler | G Major | 1 | 9B | 90 BPM | ||
| Sheep To The Horizon | Joel McNeely | G Major | 3 | 9B | 115 BPM | ||
| Broad Horizons | Benjamin Krause, Scott Goodman | G Major | 2 | 9B | 108 BPM | ||
| To Run Or Not To Run | Carter Burwell | G Major | 0 | 9B | 137 BPM | ||
| Go The Distance - From "Hercules" | Royal Philharmonic Orchestra | D Major | 2 | 10B | 85 BPM | ||
| Laufende Nase | Ralf Wengenmayr, Deutsches Filmorchester Babelsberg, Gregor A. Mayrhofer | E♭ Minor | 1 | 2A | 86 BPM | ||
| An Ideal Marriage | The Chamber Orchestra Of London | G Minor | 2 | 6A | 107 BPM | ||
| The Adventure of Life | Maurizio Malagnini, Peter Salem | G Major | 3 | 9B | 83 BPM | ||
| Journey From Peru | Nick Urata | E♭ Major | 2 | 5B | 115 BPM | ||
| Café in Paris | Paul Englishby, Jeremy Holland-Smith | G Major | 1 | 9B | 77 BPM | ||
| First Day on the Job | Pinar Toprak | G Minor | 2 | 6A | 100 BPM | ||
| Composure | Naoki”naotyu-”Chiba | A♭ Major | 0 | 4B | 130 BPM |