"Journey From Peru" by Nick Urata had its release date on November 21, 2014. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Journey From Peru's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paddington (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. In terms of popularity, Journey From Peru is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Journey From Peru by Nick Urata having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Brainwash & Go | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | D Minor | 3 | 7A | 132 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| Our Kid | Geoff Zanelli | E Major | 2 | 12B | 88 BPM | ||
| Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
| Up to No Good | Alex Baranowski | F Major | 1 | 7B | 158 BPM | ||
| Pride and Prejudice - Main Theme | Carl Davis, Valentina Lisitsa, BBC Concert Orchestra, Christopher Warren-Green | E♭ Major | 1 | 5B | 107 BPM | ||
| The Break-In | Dario Marianelli | A Minor | 2 | 8A | 124 BPM | ||
| The Lady In Blue | Patrick Doyle | G Major | 2 | 9B | 168 BPM | ||
| Kinema | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| The First Branch | Patrick Doyle | C Minor | 1 | 5A | 81 BPM | ||
| The Thrombey Estate | Nathan Johnson | G Minor | 1 | 6A | 81 BPM | ||
| The Fire | Joel P West | E♭ Minor | 2 | 2A | 71 BPM | ||
| (Underneath the) Lovely London Sky - Instrumental | Marc Shaiman, Scott Wittman | C Major | 2 | 8B | 144 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| Throw The Coins - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | F Major | 1 | 7B | 70 BPM | ||
| Feet Up | Martin Phipps | C Major | 1 | 8B | 80 BPM | ||
| The Verdict | George Fenton | F Minor | 6 | 4A | 116 BPM | ||
| The Seaside | Samuel Sim | G Major | 1 | 9B | 50 BPM | ||
| Arriving at the Farm | Nick Urata | F Major | 1 | 7B | 92 BPM | ||
| Jim | David Fleming | E♭ Major | 0 | 5B | 91 BPM | ||
| Dear Friend | George Fenton | E♭ Major | 1 | 5B | 129 BPM | ||
| I. opening / II. still opening | David Torn | C Major | 1 | 8B | 79 BPM | ||
| The Story Spreads | Terry Davies, Tiddler | D Minor | 2 | 7A | 182 BPM | ||
| Abiogenisis | Carlos Rafael Rivera | C Major | 0 | 8B | 78 BPM | ||
| Vespa è Libertà | Dan Romer | F♯ Major | 1 | 2B | 152 BPM |