Carl Davis, Valentina Lisitsa, BBC Concert Orchestra, Christopher Warren-Green's 'Pride and Prejudice - Main Theme' had a release date set for August 26, 2016. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Valentina Lisitsa, BBC Concert Orchestra, Gavin Sutherland's "Love Story: Piano Themes From Cinema's Golden Age" album is number 15 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Pride and Prejudice - Main Theme is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pride and Prejudice - Main Theme by Carl Davis, Valentina Lisitsa, BBC Concert Orchestra, Christopher Warren-Green to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pluto's Crossing: Id. The Journey | Andrew Sparrow, The Czech Film Orchestra, Marek Valášek | F Minor | 2 | 4A | 84 BPM | ||
| Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 1, Nimble Feet | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | E Major | 1 | 12B | 88 BPM | ||
| Harriet Smith And Robert Martin Meet On The Road | Isobel Waller-Bridge, David Schweitzer | G Major | 0 | 9B | 76 BPM | ||
| Dawn (Arr. Mugi) - From "Pride and Prejudice" | Kaori Muraji, Soichi Muraji | E Major | 0 | 12B | 147 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Arabesque (Debussy) | Thomas Adès | F♯ Minor | 1 | 11A | 67 BPM | ||
| Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
| The Final Kiss | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Tales of the Magic Tree: III. Steps Upward | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 1 | 8B | 119 BPM | ||
| Meryton Townhall - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | D Major | 2 | 10B | 118 BPM | ||
| Frank Churchill Arrives (From "Emma" 1996 Film) | An Eligible Quartet | G Major | 1 | 9B | 120 BPM | ||
| Bach, J.S.: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 3 | 2B | 98 BPM | ||
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": III. Molto vivace | Antonín Dvořák, Concord String Quartet | F Major | 1 | 7B | 77 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM | ||
| Pride and Prejudice Opening Titles (From the 1995 BBC Adaptation) - Piano Arrangement | The Belle Society Players | B♭ Major | 1 | 6B | 114 BPM | ||
| Snow White: XIX. We are Dwarfs | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Elgar: Mina | Edward Elgar, Northern Sinfonia Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 85 BPM | ||
| Suite: O, Waly Waly | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 95 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Louis Frémaux, Brenda Lucas, John Ogdon, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM | ||
| Salut d'Amour, Op. 12 | Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman | F Major | 1 | 7B | 79 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM |