"Suite: O, Waly Waly" by John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones had its release date on March 17, 2001. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 21 in English String Miniatures, Vol. 1 by Royal Ballet Sinfonia. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Suite: O, Waly Waly is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite: O, Waly Waly by John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No. 1 in E Major (Arr. J. Loman for Flute & Harp) | Claude Debussy, Nora Shulman, Judy Loman | F Minor | 0 | 4A | 87 BPM | ||
| Out Towards the Sea | Edvard Fliflet Bræin, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 58 BPM | ||
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunting Cantata": No. 9, Sheep May Safely Graze (Arr. for Orchestra by John Rutter) | Johann Sebastian Bach, John Rutter, Manchester Camerata | E Major | 2 | 12B | 98 BPM | ||
| A Clare Benediction | John Rutter, Wayne Marshall | E♭ Major | 0 | 5B | 94 BPM | ||
| Suite No. 2, P. 138: III. Campanae Parisiennses - Aria: Andante Mosso | Ottorino Respighi, RTÉ National Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
| 4 Motets on Gregorian Themes, Op. 10: Ubi caritas | Maurice Duruflé, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Pieds-en-l'air from Capriol Suite for String Orchestra | Peter Warlock, José-Luis Garcia | G Major | 2 | 9B | 86 BPM | ||
| Celtic Concerto: 2. Hiraeth | Catrin Finch, Sinfonia Cymru, John Rutter | B♭ Minor | 1 | 3A | 62 BPM | ||
| Cavalleria rusticana: Intermezzo (Arr. Holt) | Pietro Mascagni, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | F Major | 2 | 7B | 180 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Rodeo: No. 4, Saturday Night Waltz | Aaron Copland, Colorado Symphony, Andrew Litton | E♭ Major | 0 | 5B | 68 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| O Clap Your Hands | John Rutter, City of London Sinfonia, The Cambridge Singers | E Major | 0 | 12B | 85 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Interlinked – III. Communication | Luke Howard, Royal Ballet Sinfonia | D Major | 2 | 10B | 121 BPM | ||
| Ladies in Lavender | Nigel Hess, Sergeant Neslihan Jordan, Cpl Neslihan Jordan, Central Band Of The Royal Air Force | D Major | 1 | 10B | 62 BPM | ||
| The Blue Mountains | Sally Greenaway, Graham Ross, Royal College of Music Symphony Orchestra | A Minor | 1 | 8A | 91 BPM | ||
| A Moorside Suite: II. Nocturne (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | A Minor | 0 | 8A | 57 BPM | ||
| IV. Waltz | John Rutter, Duke Dobing, Wayne Marshall, City of London Sinfonia | G Major | 1 | 9B | 90 BPM | ||
| Symphony No. 1 in E Minor: III. Juba Dance | Florence Beatrice Price, Chineke! Orchestra, Roderick Cox | C Major | 3 | 8B | 108 BPM | ||
| Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| Serenade: Allegretto | William Mathias, Royal Ballet Sinfonia, Andrew Penny | E Minor | 0 | 9A | 118 BPM |