"Serenade for Strings: I. Barcarolle" by William Lloyd Webber, Richard Hickox, City of London Sinfonia had its release date on May 1, 1998. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Serenade for Strings: I. Barcarolle's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Webber: Invocation by William Lloyd Webber, Richard Hickox, City of London Sinfonia, Julian Lloyd Webber, Tasmin Little, Westminster Singers. The song's track number on the album is #1 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Serenade for Strings: I. Barcarolle is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Serenade for Strings: I. Barcarolle by William Lloyd Webber, Richard Hickox, City of London Sinfonia has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Serenade for Strings: I. Barcarolle being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Butterfly Lovers Violin Concerto: III. Adagio Assai Doloroso | Chen Gang, Zhanhao He, Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra | D Major | 1 | 10B | 76 BPM | ||
| Then You’re In Luck | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Othello, Op. 79: II. Children's Intermezzo | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | F Major | 0 | 7B | 113 BPM | ||
| Prélude à l'après-midi d'un faune, CD 87a | Claude Debussy, The Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | ||
| 2 Pieces for Small Orchestra: No. 2, Summer Night on the River | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Sinfonia da Pacifica: 2. Recitativo. Lento tranquillo | Peggy Glanville-Hicks, Richard Mills, Tasmanian Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
| Cello Concerto in C Minor, RV 402: II. Adagio | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | E Minor | 1 | 9A | 127 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | E Minor | 1 | 9A | 64 BPM | ||
| Ancient Airs And Dances, Suite No.1, [P. 109]: 3. Villanella | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | B Minor | 0 | 10A | 86 BPM | ||
| Canon in D Major for Strings and Continuo | City of London Sinfonia, Andrew Watkinson | D Major | 2 | 10B | 111 BPM | ||
| Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
| Miške, MKČ 101: V. Reversed Recapitulation, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | C Major | 1 | 8B | 94 BPM | ||
| Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | ||
| Snowdrop | Debbie Wiseman, National Symphony Orchestra | G Major | 1 | 9B | 69 BPM | ||
| Glazunov: The Seasons, Op. 67, Pt. 4 "Autumn": No. 15, Petit Adagio | Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra | A Major | 1 | 11B | 70 BPM | ||
| Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | ||
| Irish Idyll | Peter Dodd, Royal Ballet Sinfonia, David Lloyd-Jones | A Major | 0 | 11B | 81 BPM | ||
| Le Chapeau De Carson | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
| Love's Labour's Lost, Op. 28a: I. The King's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | C Minor | 0 | 5A | 86 BPM | ||
| King Christian II Suite, Op. 27: I. Nocturne | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM |