Love's Labour's Lost, Op. 28a: I. The King's Poem by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths Song Details

"Love's Labour's Lost, Op. 28a: I. The King's Poem" by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths had its release date on November 3, 1998. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 14 in Finzi: Clarinet Concerto / Five Bagatelles / Three Soliloquies / Romance by Gerald Finzi, Howard Griffiths. Love's Labour's Lost, Op. 28a: I. The King's Poem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Love's Labour's Lost, Op. 28a: I. The King's Poem by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 14%
Loudness: -30.184 dB
Acousticness: 97%
Danceability: 16%
Energy: 3%
Instrumentalness: 80%
Liveness: 5%
Loudness: 50%
Speechiness: 5%
Valence: 4%

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Sally in Our Alley (Arr. For string orchestra)	Frank Bridge, English Northern Philharmonia, David Lloyd-Jones	F Minor	0	4A	77 BPM
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