"Suite from "The Victorian Kitchen Garden": V. Summer. Flowing" by Paul Reade, Michael Collins, Michael McHale had its release date on February 1, 2011. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Suite from "The Victorian Kitchen Garden": V. Summer. Flowing's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Lyrical Clarinet". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Suite from "The Victorian Kitchen Garden": V. Summer. Flowing is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite from "The Victorian Kitchen Garden": V. Summer. Flowing by Paul Reade, Michael Collins, Michael McHale having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gloria: II. The Prayer: Laudamus te | Karl Jenkins | C Minor | 0 | 5A | 78 BPM | ||
| Forest Clearing, Op. 15 | Sigurd Islandsmoen, Iceland Symphony Orchestra, Bjarte Engeset | G Major | 0 | 9B | 55 BPM | ||
| Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski) | Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar | E Major | 2 | 12B | 118 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: III. Andante sostenuto | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | A♭ Major | 2 | 4B | 93 BPM | ||
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance (Excerpt) | Dmitri Shostakovich, Chloë Hanslip, Paul Mann, London Symphony Orchestra | A Major | 1 | 11B | 87 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano J. Sévilla-Fraysse): III. Minuet | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | A Minor | 0 | 8A | 92 BPM | ||
| Sextet for string quartet, clarinet and piano: 3. Finale. Precise and rhythmic | Aaron Copland, RTÉ Vanbrugh Quartet, Michael Collins, Martin Roscoe | F♯ Major | 1 | 2B | 134 BPM | ||
| Pärt: Spiegel im Spiegel | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 80 BPM | ||
| Concerto in B-Flat Major, Op. 11: III. Alla polacca | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | B♭ Major | 3 | 6B | 148 BPM | ||
| Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italianaed | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | G Minor | 0 | 6A | 95 BPM | ||
| Carnival of the Animals, R. 125: XIII. The Swan (Arr. P. Vidal for Cello & Orchestra) | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | G Major | 0 | 9B | 181 BPM | ||
| Sonata, Op. 167: I. Allegretto | Camille Saint-Saëns, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 77 BPM | ||
| Sonatina for Clarinet and Piano: I. Allegro calmato | Joseph Horovitz, Michael Collins, Michael McHale | B♭ Major | 2 | 6B | 98 BPM | ||
| Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM | ||
| Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | G Major | 1 | 9B | 99 BPM | ||
| Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo | Carl Maria von Weber, Andreas Ottensamer, Berliner Philharmoniker, Mariss Jansons | C Major | 0 | 8B | 72 BPM | ||
| Pur ti Miro from "L'incoronazione di Poppea" | Claudio Monteverdi, Joshua Bell, Michael Stern, Jacob Heringman, John Constable, Stephen Orton, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
| Weber: Grand duo concertant, Op. 48, J. 204: II. Andante con moto | Carl Maria von Weber, Michael Collins, Mikhail Pletnev | C Minor | 0 | 5A | 69 BPM | ||
| O Waly Waly (Arr. Jessica Wells and Sally Maer) | Sally Maer, Melbourne Symphony Orchestra, Benjamin Northey | A Major | 1 | 11B | 104 BPM | ||
| Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
| Solo de concours | André Messager, Michael Collins, Piers Lane | E♭ Major | 1 | 5B | 85 BPM | ||
| Tambourin | Francois-Joseph Gossec, James Galway, National Philharmonic Orchestra, Charles Gerhardt | F Major | 2 | 7B | 143 BPM | ||
| Introduction et rondo, Op. 72 | Charles-Marie Widor, Michael Collins, Noriko Ogawa | F Major | 1 | 7B | 101 BPM | ||
| Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 84 BPM | ||
| Concerto in F Minor, Op. 5 "Grand": I. Allegro | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | F Major | 1 | 7B | 188 BPM |