"Five Variants of ‘Dives and Lazarus’" by Ralph Vaughan Williams, Hallé, Sir Mark Elder had its release date on November 3, 2014. This song appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Pastoral Symphony by Ralph Vaughan Williams, Sir Mark Elder, Hallé. The song's track number on the album is #6 out of 7 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Five Variants of ‘Dives and Lazarus’ is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Five Variants of ‘Dives and Lazarus’ by Ralph Vaughan Williams, Hallé, Sir Mark Elder has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Five Variants of ‘Dives and Lazarus’ being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance (Excerpt) | Dmitri Shostakovich, Chloë Hanslip, Paul Mann, London Symphony Orchestra | A Major | 1 | 11B | 87 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Five Variants of 'Dives and Lazarus' | Ralph Vaughan Williams, English String Orchestra, William Boughton | B Minor | 0 | 10A | 71 BPM | ||
| Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sir John Barbirolli, Hallé | D Minor | 2 | 7A | 171 BPM | ||
| The Yellow Cake Review: I. Farewell to Stromness - Arr. for Violin & Orchestra by Rosemary Furniss | Orchestra of the Swan, David le Page | D Major | 1 | 10B | 77 BPM | ||
| Eight Part-songs, Op. 119: The Bluebird | Charles Villiers Stanford, Choir of New College, Oxford, Edward Higginbottom | F♯ Major | 0 | 2B | 176 BPM | ||
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
| Mozart: Serenade for Winds No. 10 in B-Flat Major, K. 361 "Gran partita": III. Adagio | Wolfgang Amadeus Mozart, Wind Soloists of the Chamber Orchestra of Europe | E♭ Major | 0 | 5B | 69 BPM | ||
| Bugeilio'r Gwenith Gwyn - Arranged by John Rutter: Bugeilio'r Gwenith Gwyn | Traditional, Catrin Finch, Kia Bennett | D♭ Major | 0 | 3B | 113 BPM | ||
| Prelude a l'apres-midi d'un faune, L. 86a, CD 87a: Prélude à l'après-midi d'un faune, L. 86a, CD 87a | Claude Debussy, Stéphane Denève, Royal Scottish National Orchestra | B♭ Minor | 0 | 3A | 80 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Mariinsky Orchestra, Valery Gergiev | A Minor | 0 | 8A | 77 BPM | ||
| The Planets - Suite for large orchestra, Op.32: II. Venus, the Bringer of Peace (Adagio) | Gustav Holst, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 0 | 4A | 62 BPM | ||
| St. Paul's Suite, Op. 29 No. 2: IV. Finale, "the Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | D♭ Major | 0 | 3B | 66 BPM | ||
| Gloria: Laudamus te | Karl Jenkins, Polyphony, Stephen Layton | E♭ Major | 1 | 5B | 78 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| 49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | ||
| Romance, Op. 11 | Gerald Finzi, Aurora Orchestra, Nicholas Collon | A♭ Major | 1 | 4B | 93 BPM | ||
| Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | ||
| 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 4, Forlana. Allegretto grazioso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 1 | 2B | 96 BPM | ||
| Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM | ||
| 2 Pieces for Strings from Henry V: No. 1, Passacaglia. Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Highgrove Suite: Goddess of the Woods | Patrick Hawes, Claire Jones, Philharmonia Orchestra | B♭ Major | 1 | 6B | 126 BPM | ||
| Romance for Strings, Piano and Harmonica | Ralph Vaughan Williams, Tommy Reilly, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Major | 1 | 3B | 62 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM |