Romance for Strings, Piano and Harmonica by Ralph Vaughan Williams, Tommy Reilly, Academy of St. Martin in the Fields, Sir Neville Marriner Song Details

"Romance for Strings, Piano and Harmonica" by Ralph Vaughan Williams, Tommy Reilly, Academy of St. Martin in the Fields, Sir Neville Marriner had its release date on January 1, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaughan Williams: Orchestral Works by Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner, New Queen's Hall Orchestra, Barry Wordsworth, London Philharmonic Orchestra, Sir Adrian Boult. The song's track number on the album is #13 out of 22 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Romance for Strings, Piano and Harmonica is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Romance for Strings, Piano and Harmonica by Ralph Vaughan Williams, Tommy Reilly, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Romance for Strings, Piano and Harmonica being at 62 BPM, the half-time would be 31 BPM with a double-time of 124 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -23.823 dB
Acousticness: 61%
Danceability: 15%
Energy: 10%
Instrumentalness: 0%
Liveness: 11%
Loudness: 60%
Speechiness: 5%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Concerto Grosso: 1. Intrada	Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	2	9B	60 BPM
Dona nobis pacem: Dirge for 2 Veterans	Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill	F Major	2	7B	88 BPM
Stille Musik: III. Augenblicke der Serenade	Valentin Silvestrov	C Major	0	8B	86 BPM
Mors et Vita: Judex	Charles Gounod, Richard Hickox Orchestra, Richard Hickox	C Minor	1	5A	95 BPM
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Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato	George Frideric Handel, The English Concert, Trevor Pinnock	D♭ Minor	0	12A	106 BPM
Appalachian Spring: VII. Doppio movimento	Aaron Copland, Leonard Bernstein, New York Philharmonic	D♭ Major	1	3B	78 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Esa-Pekka Salonen, Yefim Bronfman, Thomas Stevens, Los Angeles Philharmonic	G Minor	1	6A	137 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Tristan und Isolde, Act III: Liebestod (Concert Version)	Richard Wagner, Berliner Philharmoniker, Herbert von Karajan	B Major	2	1B	94 BPM
Die tote Stadt, Act I: Mariettas Lied	Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits	B♭ Major	3	6B	94 BPM
The Mausoleum at Halicarnassus - From "Seven Wonders" Suite	Stuart Mitchell, Czech National Symphony Orchestra, Paul Bateman	B Minor	0	10A	75 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee	F Major	1	7B	147 BPM
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity	Gustav Holst, Berliner Philharmoniker, Herbert von Karajan	G Minor	3	6A	140 BPM
String Quartet No. 2 in D Major: III. Notturno: Andante	Alexander Borodin, Budapest Haydn Quartet	A Major	1	11B	89 BPM
Panis Angelicus (Arr. Leopold Stokowski)	César Franck, Matthias Bamert, BBC Philharmonic	A Major	1	11B	65 BPM
Concertino bianco: 1. Con intenerimento	Georgs Pelēcis, Johannes Fritzsch, Tamara Anna Cislowska, Tasmanian Symphony Orchestra	C Major	0	8B	97 BPM
6 Impromptus, Op. 5: Impromptu VI	Jean Sibelius, Leif Ove Andsnes	E Major	0	12B	62 BPM
Masques et bergamasques Suite, Op. 112: IV. Pastorale	Gabriel Fauré, RTE Sinfonietta, John Georgiadis	D Minor	0	7A	70 BPM
V. Pieds-en-l'air	Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt	G Major	0	9B	85 BPM
Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato	Antonín Dvořák, London Chamber Orchestra, Christopher Warren-Green	E Major	1	12B	82 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM