Aaron Copland, Leonard Bernstein, New York Philharmonic's 'Appalachian Spring: VII. Doppio movimento' had a release date set for 1960. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Appalachian Spring: VII. Doppio movimento is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring: VII. Doppio movimento by Aaron Copland, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 9 in E Minor, Op. 95 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 100 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
| Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | E♭ Major | 4 | 5B | 89 BPM | ||
| Sonata for 2 Pianos in D Major, K. 448/375a: I. Allegro con spirito | Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann | A♭ Major | 1 | 4B | 93 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | C Major | 2 | 8B | 125 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo - 2017 Remastered Version | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | B♭ Minor | 0 | 3A | 75 BPM | ||
| Peter and the Wolf, Op. 67: Allegro - Andantino, come prima | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 80 BPM | ||
| Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
| Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | C Major | 1 | 8B | 147 BPM | ||
| Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B Major | 1 | 1B | 120 BPM | ||
| Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
| Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
| Florida Suite: IV. At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 74 BPM | ||
| Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 91 BPM | ||
| Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Schottische": II. Scherzo. Vivace non troppo - Remastered 2024 | Felix Mendelssohn, Baltimore Symphony Orchestra, Sergiu Comissiona | F Major | 2 | 7B | 126 BPM | ||
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | G Minor | 2 | 6A | 139 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
| Violin Concerto, Op. 14: II. Andante | Samuel Barber, James Buswell, Royal Scottish National Orchestra, Marin Alsop | E Major | 0 | 12B | 83 BPM | ||
| Appalachian Spring Suite: I. Very Slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
| St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | ||
| Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Louis Frémaux, Brenda Lucas, John Ogdon, City Of Birmingham Symphony Orchestra | A Minor | 1 | 8A | 75 BPM |