Appalachian Spring Suite: I. Very Slowly by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta Song Details

"Appalachian Spring Suite: I. Very Slowly" by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta had its release date on January 1, 1996. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Appalachian Spring Suite: I. Very Slowly's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 30 in Copland: Appalachian Spring; Lincoln Portrait; Fanfare; Rodeo, etc. by Aaron Copland, Zubin Mehta, Antal Doráti, Traditional, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Appalachian Spring Suite: I. Very Slowly is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Appalachian Spring Suite: I. Very Slowly by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 41%
Loudness: -34.624 dB
Acousticness: 95%
Danceability: 7%
Energy: 1%
Instrumentalness: 82%
Liveness: 11%
Loudness: 42%
Speechiness: 5%
Valence: 3%

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