"Lyric for Strings" by George Walker, Chicago Sinfonietta, Paul Freeman had its release date on January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 13 in African Heritage Symphonic Series, Vol. 2 by Chicago Sinfonietta, Paul Freeman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Lyric for Strings is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lyric for Strings by George Walker, Chicago Sinfonietta, Paul Freeman is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | ||
| Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
| Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
| Sonata in B Flat Major, L. 39 | George Walker | B♭ Major | 1 | 6B | 112 BPM | ||
| Cello Concerto: II. Longing | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | F Major | 2 | 7B | 85 BPM | ||
| Symphony No. 3, "Pastoral Symphony": II. Lento moderato | Ralph Vaughan Williams, Brendan O'Brien, Patricia Rozario, Bournemouth Symphony Orchestra, Kees Bakels | G Minor | 0 | 6A | 88 BPM | ||
| Dance Card: No. 5, Machina Rockus | Jennifer Higdon, Chicago Sinfonietta, Mei-Ann Chen | B♭ Minor | 4 | 3A | 144 BPM | ||
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
| Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
| Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
| Serenade for Strings: II. Romance | William Lloyd Webber, Richard Hickox, City of London Sinfonia | D Major | 1 | 10B | 83 BPM | ||
| Concerto Grosso: 3. Sarabande | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 87 BPM | ||
| Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz) | Claude Debussy, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 72 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 2 | 9A | 117 BPM | ||
| The Tender Land Suite: I. Introduction and Love Music | Aaron Copland, Elgin Symphony Orchestra, Robert Hanson | D Major | 3 | 10B | 73 BPM | ||
| Postcards from the Sky: III. A Messenger | Marjan Mozetich, CBC Vancouver Orchestra, Mario Bernardi | C Major | 0 | 8B | 50 BPM | ||
| Symphony No. 3 in C Minor: IV. Scherzo. Finale. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Minor | 3 | 5A | 132 BPM | ||
| String Quartet No. 1 "Lyric": III. Allegro con fuoco | George Walker, Catalyst Quartet | D Minor | 1 | 7A | 90 BPM | ||
| Piano Concerto No. 11 In F Major, K. 413: III. Tempo di menuetto | Wolfgang Amadeus Mozart, Derek Han, Philharmonia Orchestra, Paul Freeman | F Major | 1 | 7B | 134 BPM | ||
| Global Warming | Michael Abels, Chicago Sinfonietta, Paul Freeman | C Major | 2 | 8B | 60 BPM | ||
| Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 102 BPM | ||
| Piano Concerto No. 3 in D Major, Op. 50: I. Allegro molto | Dmitry Kabalevsky, James Johnson, Slovenian Radio Symphony Orchestra, Paul Freeman | B♭ Minor | 2 | 3A | 99 BPM | ||
| Piano Sonata No. 2: I. Theme & 10 Variations | George Walker, Steven Beck | E♭ Major | 3 | 5B | 73 BPM | ||
| Frontiers: II. Second Movement | Oliver Davis, Kerenza Peacock, Paul Bateman | E Major | 2 | 12B | 37 BPM | ||
| Rachmaninoff: Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, San Francisco Symphony, Michael Tilson Thomas | A Minor | 1 | 8A | 76 BPM |