"Othello, Op. 79: II. Children's Intermezzo" by Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper had its release date on July 25, 1995. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 18 in Coleridge-Taylor: Hiawatha Overture / Petite Suite by Samuel Coleridge-Taylor. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Othello, Op. 79: II. Children's Intermezzo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Othello, Op. 79: II. Children's Intermezzo by Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite from The Victorian Kitchen Garden: III. Mists | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | G Minor | 0 | 6A | 66 BPM | ||
| Romance, Op. 11 | Gerald Finzi, Aurora Orchestra, Nicholas Collon | A♭ Major | 1 | 4B | 93 BPM | ||
| Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
| Appalachian Spring: II. Allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 82 BPM | ||
| Suite: Graceful Dance | Ernest Tomlinson, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 3 | 10B | 133 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Genesis | Eunike Tanzil, Deutsches Symphonie-Orchester Berlin, Anna Handler | D Minor | 3 | 7A | 70 BPM | ||
| English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM | ||
| Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM | ||
| Rakastava, Op. 14: The Lover | Jean Sibelius, Sir Colin Davis | F Major | 1 | 7B | 69 BPM | ||
| Fantasia Gaelach No. 1 | Archibald James Potter, RTÉ National Symphony Orchestra, Robert Houlihan | A♭ Major | 0 | 4B | 89 BPM | ||
| London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM | ||
| Deep River | Samuel Coleridge-Taylor, Isata Kanneh-Mason | E Major | 0 | 12B | 135 BPM | ||
| Always On My Mind | RTE Concert Orchestra | C Major | 3 | 8B | 80 BPM | ||
| 2 Pieces for Small Orchestra: No. 2, Summer Night on the River | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Lady Radnor's Suite: V. Slow Minuet | Hubert Parry, Capella Istropolitana, Adrian Leaper | D Major | 1 | 10B | 120 BPM | ||
| String Quartet in G Major (Unfinished): II. Andante moderato | Florence Beatrice Price, Catalyst Quartet | D Major | 2 | 10B | 72 BPM | ||
| Serenade for Orchestra | William Grant Still, Royal Scottish National Orchestra, Avlana Eisenberg | A Major | 1 | 11B | 77 BPM | ||
| Symphony No. 4 in F Minor, Op. 36: IV. Finale: Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Polish National Radio Symphony Orchestra, Adrian Leaper | F Major | 3 | 7B | 137 BPM | ||
| Legends, Op. 59, B. 122: No. 6, Allegro con moto | Antonín Dvořák, Czech Philharmonic, Tomáš Netopil | D♭ Major | 0 | 3B | 78 BPM | ||
| II. Carol | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Minor | 0 | 5A | 128 BPM | ||
| Petite Suite de Concert, Op. 77: I. Le caprice de Nannette | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | C Major | 1 | 8B | 113 BPM | ||
| Bells across the Meadows | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 136 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM |