Aaron Copland, Leonard Bernstein, New York Philharmonic's 'Appalachian Spring: II. Allegro' had a release date set for 1960. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Appalachian Spring: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Appalachian Spring: II. Allegro is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Appalachian Spring: II. Allegro by Aaron Copland, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
| Lincolnshire Posy: IV. The Brisk Young Sailor | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| The Planets - Suite for large orchestra, Op.32: V. Saturn, the Bringer of Old Age (Adagio) | Sir Simon Rattle, Berliner Philharmoniker | C Major | 0 | 8B | 103 BPM | ||
| Appalachian Spring: Doppio movimento - 2017 Remastered Version | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 2 | 3B | 77 BPM | ||
| English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | ||
| Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 74 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
| The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | ||
| Academic Festival Overture, Op. 80 | Johannes Brahms, Helsingborg Symphony Orchestra, Andrew Manze | C Major | 1 | 8B | 146 BPM | ||
| Holst : The Planets Op.32 : V Saturn, the Bringer of Old Age | Giuseppe Verdi, Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | C Major | 0 | 8B | 72 BPM | ||
| Enigma Variations, Op. 36: Var. 5. Moderato "R.P.A." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
| Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
| Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | ||
| Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato | Jean Sibelius, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 86 BPM | ||
| Capriol Suite: 4. Bransles | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 2 | 9B | 156 BPM | ||
| Florida Suite: IV. At Night | Frederick Delius, Ulster Orchestra, Vernon Handley | F♯ Minor | 0 | 11A | 68 BPM | ||
| Violin Concerto, Op. 14: II. Andante | Samuel Barber, Isaac Stern, Leonard Bernstein, New York Philharmonic | E Major | 1 | 12B | 107 BPM | ||
| The Swan of Tuonela, Op. 22, No. 3 | Jean Sibelius, Leonard Bernstein, New York Philharmonic, Thomas Stacy | A Minor | 1 | 8A | 75 BPM | ||
| English Folk Song Suite: I. March "Seventeen Come Sunday" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
| Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
| Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
| Norfolk Rhapsody No. 2 | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | F Major | 0 | 7B | 99 BPM | ||
| Montgomery Variations: V. One Sunday in the South | Margaret Bonds, Kellen Gray, Royal Scottish National Orchestra | D Major | 0 | 10B | 86 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. Åse's Death. Andante doloroso - 2017 Remastered Version | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 135 BPM |