Petite Suite de Concert, Op. 77: I. Le caprice de Nannette by Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther Song Details

Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther's 'Petite Suite de Concert, Op. 77: I. Le caprice de Nannette' had a release date set for September 30, 2022. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 27 in Coleridge-Taylor by Samuel Coleridge-Taylor, Chineke! Orchestra, Avril Coleridge-Taylor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Petite Suite de Concert, Op. 77: I. Le caprice de Nannette is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Petite Suite de Concert, Op. 77: I. Le caprice de Nannette by Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 5%
Loudness: -25.224 dB
Acousticness: 98%
Danceability: 32%
Energy: 7%
Instrumentalness: 91%
Liveness: 23%
Loudness: 58%
Speechiness: 4%
Valence: 32%

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