"Symphonic Variations on an African Air, Op. 63" by Samuel Coleridge-Taylor, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn had its release date on January 1, 1993. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 7 in Butterworth: The Banks of Green Willow; A Shropshire Lad/ /McGunn: The Land of the Mountain and the Flood/Coleridge-Taylor: Symphonic Variations on an African Air &c. by Royal Liverpool Philharmonic Orchestra, Grant Llewellyn. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Symphonic Variations on an African Air, Op. 63's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonic Variations on an African Air, Op. 63 by Samuel Coleridge-Taylor, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 35 in D Major, K. 385 "Haffner": IV. Finale. Presto | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | D Major | 2 | 10B | 139 BPM | ||
| Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Radio Edit | Edvard Grieg, Alexandra Dariescu, Philharmonia Orchestra, Tianyi Lu | A Minor | 1 | 8A | 129 BPM | ||
| Piano Concerto No. 4 in G Minor, Op. 40: I. Allegro vivace | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Major | 2 | 6B | 92 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile | Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin | D♭ Major | 1 | 3B | 88 BPM | ||
| Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemaechlich | Gustav Mahler, Czech Philharmonic, Semyon Bychkov | A♭ Major | 0 | 4B | 178 BPM | ||
| Goldberg Variations, BWV 988: Var. 21 | Johann Sebastian Bach, Víkingur Ólafsson | F Major | 3 | 7B | 100 BPM | ||
| The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
| 3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
| Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
| Japanese Suite, Op. 33, H. 126: I. Prelude. Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | ||
| Don Giovanni, K. 527: Overture | Wolfgang Amadeus Mozart, Le Concert de la Loge, Julien Chauvin | A Major | 9 | 11B | 121 BPM | ||
| String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) - Live | Ludwig van Beethoven, Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons | F Major | 1 | 7B | 151 BPM | ||
| Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
| String Quartet No. 1 'Kreutzer Sonata': String Quartet No. 1 'Kreutzer Sonata': I. Adagio. Con moto | Leoš Janáček, Jerusalem Quartet | B Major | 1 | 1B | 92 BPM | ||
| Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
| Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
| The Rite of Spring, Part 1: IV. Spring Rounds | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Minor | 0 | 3A | 90 BPM | ||
| Don Giovanni, K. 527: Overture | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 133 BPM |