"Appalachian Spring: VI. Meno mosso" by Aaron Copland, Leonard Bernstein, New York Philharmonic had its release date on 1960. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Appalachian Spring: VI. Meno mosso's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring: VI. Meno mosso by Aaron Copland, Leonard Bernstein, New York Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, David Nadien | C Minor | 1 | 5A | 105 BPM | ||
| The Sorcerer's Apprentice | Paul Dukas, Leonard Bernstein, New York Philharmonic | D♭ Major | 5 | 3B | 129 BPM | ||
| Vaughan Williams: 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra) | Ralph Vaughan Williams, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: I. Tempo molto moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
| 2 Pieces for Small Orchestra: No. 2, Summer Night on the River | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| The Red Pony Suite: IV. Walk To The Bunkhouse | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 0 | 7B | 75 BPM | ||
| Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romance. Andante | Wolfgang Amadeus Mozart, Leonard Bernstein, New York Philharmonic | D♭ Major | 7 | 3B | 96 BPM | ||
| Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 84 BPM | ||
| Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Roman Festivals: IV. La Befana | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | G Major | 0 | 9B | 127 BPM | ||
| Symphony No. 35 in D Major, K. 385 "Haffner": II. Andante - Live | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | G Major | 0 | 9B | 141 BPM | ||
| 4 Dance Episodes from Rodeo: III. Saturday Night Waltz | Aaron Copland, Leonard Bernstein, New York Philharmonic | E♭ Major | 1 | 5B | 73 BPM | ||
| Procession of the Nobles from "Mlada" Suite | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra, The Cleveland Pops Orchestra, Louis Lane | E♭ Major | 5 | 5B | 103 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 2 | 9A | 117 BPM | ||
| Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
| 2 Aquarelles: No. 1, Lento, ma non troppo | Frederick Delius, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
| Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 117 BPM | ||
| Symphonic Dances from "West Side Story" *: Symphonic Dances from West Side Story: Finale (Adagio) | Leonard Bernstein, New York Philharmonic, West Side Story Original Broadway Cast | F Minor | 1 | 4A | 111 BPM | ||
| Pulcinella Suite: VIII. Minuetto—Finale - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| Brook Green Suite: III. Dance | Gustav Holst, English Sinfonia, Howard Griffiths | G Major | 0 | 9B | 68 BPM | ||
| Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
| Symphony No. 2 "Romantic": Iii. Allegro Con Brio | Howard Hanson, Leonard Slatkin, St. Louis Symphony | D♭ Major | 1 | 3B | 100 BPM |