Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra, The Cleveland Pops Orchestra, Louis Lane's ' "Procession of the Nobles from "Mlada" Suite" was released on its scheduled release date, November 14, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nikolai Rimsky-Korsakov, New York Philharmonic, London Symphony Orchestra's "Greatest Hits: Rimsky- Korsakov" album is number 10 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Procession of the Nobles from "Mlada" Suite is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Procession of the Nobles from "Mlada" Suite by Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra, The Cleveland Pops Orchestra, Louis Lane to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Percy Grainger: Children's March. Over the Hills and Far Away | Percy Grainger, The Central Band Of The R.A.F., Wing Commander Eric Banks | B♭ Major | 2 | 6B | 62 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
| Second Suite in F - March | United States Air Force Band | F Major | 2 | 7B | 124 BPM | ||
| Valdres March | Johannes Hanssen, Eastman Wind Ensemble, Frederick Fennell | A♭ Major | 5 | 4B | 97 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Holst : The Planets Op.32 : III Mercury, the Winged Messenger | Giuseppe Verdi, Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | G Major | 0 | 9B | 114 BPM | ||
| Sonoran Desert Holiday | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | F Major | 2 | 7B | 114 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 85 BPM | ||
| Bookmarks from Japan: I. Mount Fuji | Julie Giroux, University of North Texas Symphonic Band, Alan C. Sierichs | D Minor | 3 | 7A | 101 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | F Minor | 4 | 4A | 80 BPM | ||
| Overture to William Tell | Gioachino Rossini, Philadelphia Orchestra, Rossen Milanov | E Major | 0 | 12B | 157 BPM | ||
| Procession of the Nobles from "Mlada" Suite | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra, The Cleveland Pops Orchestra, Louis Lane | E♭ Major | 5 | 5B | 103 BPM | ||
| Lux Aurumque | United States Air Force Bands, United States Air Force Band Of Mid-America | C Minor | 0 | 5A | 73 BPM | ||
| Holberg Suite, Op. 40: I. Praeludium. Allegro vivace | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 71 BPM | ||
| Give Us This Day: II. — | David Maslanka, The University of Texas Wind Ensemble, Jerry Junkin | F Major | 2 | 7B | 84 BPM | ||
| Gayaneh: Sabre Dance | Aram Khachaturian, Wiener Philharmoniker | C Major | 8 | 8B | 90 BPM | ||
| Lohengrin / Act III, WWV. 75: Prelude to Act III | Richard Wagner, Philadelphia Orchestra, Christian Thielemann | B Major | 1 | 1B | 72 BPM | ||
| Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
| Bright Blue Music | Michael Torke, Baltimore Symphony Orchestra, David Zinman | D Major | 2 | 10B | 118 BPM | ||
| Mayskaya noch' (May Night): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): X. The Great Gates of Kyiv - Live | Modest Mussorgsky, Berliner Philharmoniker, Claudio Abbado | E♭ Major | 2 | 5B | 77 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in moto di canzone | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | B♭ Minor | 0 | 3A | 82 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A♭ Major | 2 | 4B | 70 BPM | ||
| Caucasian Sketches: Suite No. 1, Op. 10: IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Ukraine National Symphony Orchestra, Arthur Fagen | A Major | 1 | 11B | 81 BPM |