"I Was Glad (Arr. Rutter)" by Hubert Parry, Fanfare Trumpeters Of The Royal Air Force, Wing Commander Piers Morrell, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha, The King’s Scholars of Westminster School, Tim Garrard, Coronation Orchestra, Antonio Pappano, Peter Holder had its release date on May 6, 2023. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 66 in the song's album "The Official Album of The Coronation: The Complete Recording". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. I Was Glad (Arr. Rutter) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Was Glad (Arr. Rutter) by Hubert Parry, Fanfare Trumpeters Of The Royal Air Force, Wing Commander Piers Morrell, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha, The King’s Scholars of Westminster School, Tim Garrard, Coronation Orchestra, Antonio Pappano, Peter Holder having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Upon Your Heart | Eleanor Daley, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E Major | 1 | 12B | 71 BPM | ||
| Ritirata notturna di Madrid | Luigi Boccherini, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 2 | 8B | 135 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Dan Forrest, Bel Canto Company, Donovan Elliot, Jeremy Whitener, Welborn Young | A Major | 2 | 11B | 127 BPM | ||
| Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 1 | 12A | 73 BPM | ||
| Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
| In My Father’s House | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | A Major | 1 | 11B | 111 BPM | ||
| Gun | Davidhenryron | D Major | 3 | 10B | 107 BPM | ||
| Widor: Symphony for Organ No. 5 in F Minor, Op. 42 No. 1: V. Toccata (Allegro) | Charles-Marie Widor, Ian Tracey | F Major | 2 | 7B | 58 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM | ||
| The Day Thou Gavest Lord Is Ended | The Scottish Festival Singers | A♭ Major | 2 | 4B | 81 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Bimba dagli occhi pieni di malia" (Pinkerton, Butterfly) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 2 | 11B | 87 BPM | ||
| Romance in E-Flat Major, Op. 11 | Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths | A♭ Major | 1 | 4B | 86 BPM | ||
| Alfvén: Suite from The Mountain King, Op. 37: IV. The Hersmaid's Dances | Hugo Alfvén, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 2 | 9B | 150 BPM | ||
| Ein deutsches Requiem, Op. 45: IV. How lovely is thy dwelling place | Johannes Brahms, John Rutter, Aurora Orchestra, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Chants d'Auvergne, Vol. 1: No. 2, Bailero | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 1 | 6B | 135 BPM | ||
| Requiem for the Living: III. Agnus Dei | Dan Forrest, Bel Canto Company, Donovan Elliot, Lindsey McConville Gallagher, Welborn Young | D♭ Major | 2 | 3B | 73 BPM | ||
| Zadok the Priest (Coronation Anthem No. 1, HWV 258) | George Frideric Handel, Trevor Pinnock, The English Concert, Simon Preston, The Choir Of Westminster Abbey | D♭ Major | 2 | 3B | 96 BPM | ||
| Palestrina: Missarum liber secundus: No. 7, Missa "Papae Marcelli": I. Kyrie | Giovanni Pierluigi da Palestrina, Edward Higginbottom, Choir of New College, Oxford | B♭ Major | 2 | 6B | 75 BPM | ||
| Sicut cervus | Giovanni Pierluigi da Palestrina, Choir of New College, Oxford, Robert Quinney | A♭ Major | 1 | 4B | 78 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| The Long Day Closes | The King's Singers | F Major | 0 | 7B | 107 BPM | ||
| Blow The Wind Southerly | Kathleen Ferrier | D♭ Major | 1 | 3B | 132 BPM | ||
| Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Choral. "Zion hört die Wächter singen" | Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor | E♭ Major | 1 | 5B | 66 BPM | ||
| Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major | Edward Elgar, London Philharmonic Orchestra, Vernon Handley, David Bell | G Major | 3 | 9B | 122 BPM |