Johannes Brahms, John Rutter, Aurora Orchestra, The Cambridge Singers's 'Ein deutsches Requiem, Op. 45: IV. How lovely is thy dwelling place' had a release date set for April 24, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "This Is the Day: Music on Royal Occasions". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ein deutsches Requiem, Op. 45: IV. How lovely is thy dwelling place is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ein deutsches Requiem, Op. 45: IV. How lovely is thy dwelling place by Johannes Brahms, John Rutter, Aurora Orchestra, The Cambridge Singers having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ave verum corpus | Wolfgang Amadeus Mozart, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | D Major | 0 | 10B | 77 BPM | ||
| A Christmas Blessing | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | D♭ Major | 1 | 3B | 80 BPM | ||
| I Was Glad | Hubert Parry, Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill | B♭ Major | 3 | 6B | 67 BPM | ||
| Ave verum, Op. 65 No. 1 | Gabriel Fauré, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 83 BPM | ||
| Serenade for Strings: I. Barcarolle | William Lloyd Webber, Richard Hickox, City of London Sinfonia | B Minor | 1 | 10A | 80 BPM | ||
| Dies Natalis, Op. 8 - Arr. Sheppard: 5. The Salutation - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | G Major | 1 | 9B | 112 BPM | ||
| Loving Shepherd of Thy Sheep | John Rutter, The Cambridge Singers, Caroline Ashton | A Major | 3 | 11B | 98 BPM | ||
| I Sat Down Under His Shadow | Edward Bairstow, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 134 BPM | ||
| Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | ||
| Pure river of water of life | James Whitbourn, Commotio, Matthew Berry | B Minor | 0 | 10A | 112 BPM | ||
| Pater noster | Jacobus Gallus, The Cambridge Singers, John Rutter | G Minor | 1 | 6A | 143 BPM | ||
| The Apostles, Op. 49: Prologue (The Spirit of the Lord Is upon Me) | Edward Elgar, John Rutter, Andrew Lucas, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Serenity | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Emmanuel Lopez | G Major | 0 | 9B | 89 BPM | ||
| Romance, Op. 11 | Gerald Finzi, Aurora Orchestra, Nicholas Collon | A♭ Major | 1 | 4B | 93 BPM | ||
| Puccini: Messa di Gloria: Gloria in excelsis Deo - In terra pax - Laudamus te | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 2 | 4B | 108 BPM | ||
| Insanae et vanae curae, Hob. XXI: 3c | Franz Joseph Haydn, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 1 | 7B | 69 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Gloriana, Op. 53: Choral Dance No. 4, Country Girls | Benjamin Britten, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | ||
| Regina caeli laetare | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| Adoramus Te, Christe | The Wartburg Choir, Dr. Lee Nelson | E Major | 0 | 12B | 131 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| The Holy Boy | John Ireland, Richard Hickox, London Symphony Orchestra | G Minor | 0 | 6A | 101 BPM | ||
| Bethlehem Down (Arr. P. Lane) | Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 67 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM |