On 1983, the song "Ball and Chain" was released by Earl Thomas Conley. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 10 in Don't Make It Easy by Earl Thomas Conley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Ball and Chain is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ball and Chain by Earl Thomas Conley is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sticks and Stones - 2007 Remaster | Tracy Lawrence | G Major | 7 | 9B | 126 BPM | ||
| I Could Get Used To You | Exile | G Major | 4 | 9B | 94 BPM | ||
| Old Pictures | K.T. Oslin | G Major | 3 | 9B | 94 BPM | ||
| (You Bring Out) The Wild Side Of Me | Dan Seals | G Major | 2 | 9B | 116 BPM | ||
| You Have The Right To Remain Silent | Perfect Stranger | D Major | 4 | 10B | 164 BPM | ||
| You're Welcome to Tonight - Duet with Lynn Anderson | Gary Morris, Lynn Anderson | G Major | 4 | 9B | 82 BPM | ||
| You're Gonna Leave Me Again | Clint Black | C Major | 7 | 8B | 202 BPM | ||
| Who's Gonna Tell Her Goodbye | Earl Thomas Conley | F♯ Major | 3 | 2B | 128 BPM | ||
| Eagle over Angel | Brother Phelps | D Major | 3 | 10B | 90 BPM | ||
| She Doesn't Cry Anymore | Shenandoah | G Major | 4 | 9B | 122 BPM | ||
| Aces | Suzy Bogguss | E♭ Major | 5 | 5B | 133 BPM | ||
| I Thought It Was You | Doug Stone | D Major | 3 | 10B | 86 BPM | ||
| I'd Be Better Off (In a Pine Box) | Doug Stone | B♭ Major | 4 | 6B | 67 BPM | ||
| Houston (Means I'm One Day Closer To You) | Larry Gatlin & The Gatlin Brothers | B Minor | 5 | 10A | 149 BPM | ||
| 'Til a Tear Becomes a Rose | Lorrie Morgan, Keith Whitley | F Major | 3 | 7B | 104 BPM | ||
| A Better Man | Clint Black | E Major | 7 | 12B | 162 BPM | ||
| Rope the Moon | John Michael Montgomery | G Major | 4 | 9B | 82 BPM | ||
| If There Hadn't Been You | Billy Dean | E Major | 1 | 12B | 177 BPM | ||
| I'm Leaving | Aaron Tippin | D Major | 5 | 10B | 77 BPM | ||
| Heavenly Bodies | Earl Thomas Conley | G Major | 5 | 9B | 116 BPM | ||
| Statue Of A Fool | Ricky Van Shelton | C Major | 2 | 8B | 112 BPM | ||
| Headed for Heartache | Gary Morris | G Major | 6 | 9B | 130 BPM | ||
| Right from the Start | Earl Thomas Conley | G Major | 4 | 9B | 99 BPM | ||
| Ghost In This House | Shenandoah | D Major | 4 | 10B | 95 BPM | ||
| Young Love (Strong Love) | The Judds | B Major | 3 | 1B | 120 BPM |