Wagner's ' "Impossível Lhe Explicar" was released on its scheduled release date, December 1, 2017. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Teu Olhar". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Brazil. Impossível Lhe Explicar is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Impossível Lhe Explicar by Wagner having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ravel: Miroirs, M. 43: IV. Alborada del gracioso | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 0 | 10B | 123 BPM | ||
| Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Philharmonic Orchestra, Vernon Handley, David Bell, Peter Manning | E♭ Major | 0 | 5B | 77 BPM | ||
| Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 1 | 10B | 131 BPM | ||
| Also sprach Zarathustra, Op. 30: I. Prelude. Sonnenaufgang | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 78 BPM | ||
| Götterdamerung: Hoi-ho (extract with voice over) | Wagner, Sir John Tomlinson/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Major | 6 | 9B | 76 BPM | ||
| "Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM | ||
| Die Fledermaus: Ouvertüre | Johann Strauss II, Carlos Kleiber, Wiener Philharmoniker | A Major | 2 | 11B | 107 BPM | ||
| Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
| Lobgesang. Symphony no. 2 op. 52: Allegretto un poco agitato | Felix Mendelssohn, Jan Willem de Vriend, Netherlands Symphony Orchestra | B♭ Major | 1 | 6B | 90 BPM | ||
| Wagner: Die Meistersinger von Nürnberg: Vorspiel | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 91 BPM | ||
| Delibes: Lakmé: Prelude (Maestoso) | Léo Delibes, Orchestre du Théâtre National de I'Opéra-Comique/Alain Lombard, Alain Lombard, Orchestre Du Theatre National De L'Opera Comique | D♭ Major | 2 | 3B | 138 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": IV. Maestoso. Allegro | Camille Saint-Saëns, Yannick Nézet-Séguin, James O'Donnell, London Philharmonic Orchestra | C Major | 4 | 8B | 105 BPM | ||
| Delibes: Coppélia, Act 2: No. 13, Chanson à boire et scène | Léo Delibes, Kent Nagano, Orchestre de l'Opéra de Lyon | E♭ Major | 3 | 5B | 148 BPM | ||
| Another Time - Andrea De Niro Remix | Andrea De Niro, Wagner | D Minor | 9 | 7A | 95 BPM | ||
| Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor, Part. 3: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 80 BPM | ||
| Symphony No. 3: II. Allegro molto | Aaron Copland, New York Philharmonic, Leonard Bernstein | G Minor | 1 | 6A | 65 BPM | ||
| Bizet / Orch. Guiraud: Suite No. 2 de L'Arlésienne: IV. Farandole | Georges Bizet, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 5 | 10B | 77 BPM | ||
| Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Slovak Radio Symphony Orchestra, Anthony Bramall | D Major | 2 | 10B | 154 BPM | ||
| 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 3 | 4B | 82 BPM | ||
| La scala di seta: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | C Major | 1 | 8B | 135 BPM | ||
| Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A Minor | 3 | 8A | 85 BPM | ||
| Candide: Overture | Leonard Bernstein, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 3 | 5B | 141 BPM | ||
| Strauss Jr., J.: An der schönen blauen Donau, Op. 314 | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | D Major | 1 | 10B | 98 BPM | ||
| Britten: Soirées musicales, Op. 9: V. Tarantella | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | F Major | 0 | 7B | 172 BPM |