"Symphonic Variations: III. Adagio - Andante" by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra had its release date on October 1, 2010. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, Toby Spence, Christopher Purves, Louis Lortie, Paul Watkins, Tasmin Little's "Lutoslawski: Vocal & Orchestral Works" album is number 3 out of 76. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Symphonic Variations: III. Adagio - Andante is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonic Variations: III. Adagio - Andante by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sibelius: King Christian II Suite, Op. 27: II. Elegie | Jean Sibelius, Scottish National Orchestra/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra | E Minor | 1 | 9A | 77 BPM | ||
| Holocaust - In memoriam: II. To Victory | Maya Badian, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 73 BPM | ||
| Jūra, MKČ 102: III. Development | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Aubade, Op. 63: I. Lento | Lars-Erik Larsson, Marion Walker, Sara Övinge, Anders Rensvik, Kari Ravnan | C Major | 0 | 8B | 170 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 19, Balcony Scene | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | F♯ Minor | 1 | 11A | 87 BPM | ||
| Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
| Jūra, MKČ 102: VII. Coda | Mikalojus Konstantinas Čiurlionis, Lithuanian National Symphony Orchestra, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | F♯ Minor | 1 | 11A | 87 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
| Symphony No. 3 in E Flat Major, Op. 90: III. Menuetto. Moderato - Trio I - Trio II | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | E♭ Major | 0 | 5B | 174 BPM | ||
| Revue Music | Sofia Gubaidulina, Basel Sinfonietta, Titus Engel, NDR Bigband | D♭ Major | 3 | 3B | 71 BPM | ||
| Symphony No. 3: II | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Lyric Suite: IV. Adagio appassionato | Alban Berg, Leonkoro Quartet | F♯ Minor | 1 | 11A | 87 BPM | ||
| Variation 4: Andante con moto | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B♭ Major | 1 | 6B | 128 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Partita for Violin and Orchestra: I. Allegro giusto | Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Tasmin Little | B♭ Minor | 1 | 3A | 81 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| D'Indy : Symphonie sur un chant montagnard, 'Cévenole' Op.25 : II Assez modéré, mais sans lenteur | Vincent d'Indy, Marek Janowski, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 56 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Háry János Suite: I. Prelude. The Fairy Tale Begins | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
| Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM |