On May 25, 2007, the song "Reet Bina Aaune" was released by Phatteman. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Phatteman at 70". In this album, this song's track order is #5. Based on our statistics, Reet Bina Aaune's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Reet Bina Aaune by Phatteman having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fulachokiko Dandama | Kandara Band | F Major | 6 | 7B | 80 BPM | ||
| Timi Bina | Uday Sotang, Manila Sotang | G Major | 5 | 9B | 85 BPM | ||
| Lagdachha Malai | Lasmit Rai, Janardan Sama, Yashoda Parajuli | B Major | 9 | 1B | 127 BPM | ||
| Himal Chuchure | Amrit Gurung | D♭ Minor | 7 | 12A | 136 BPM | ||
| Timi Jun Raharle | Dibya Khaling, Narayan Gopal | A♭ Major | 3 | 4B | 139 BPM | ||
| Eauta Manchheko Maya | Deepak Jangam, Narayan Gopal | E Major | 3 | 12B | 95 BPM | ||
| Kalkatte Kainyo | Jayananda Lama, Balram Karki, Sarita Lama, Baba Basnet | F Major | 6 | 7B | 99 BPM | ||
| Ma Maya Laudina | Raju Lama-mongolian Heart | D Major | 6 | 10B | 170 BPM | ||
| Bal Garera | Swaroop Raj Acharya | D Major | 8 | 10B | 155 BPM | ||
| Mukti Ami Chai Na | Swaraj Roy | F♯ Major | 4 | 2B | 87 BPM | ||
| Kalipare Dai Kati Ramro | Natikaji, Taradevi | A♭ Major | 3 | 4B | 143 BPM | ||
| Madira Napiun Ta | Phatteman | G Minor | 4 | 6A | 130 BPM | ||
| Amar Praner Pore | Srikanta Acharya | B Major | 1 | 1B | 105 BPM | ||
| Fewa Talma Saili | Shiva Pariyar | D♭ Major | 7 | 3B | 145 BPM | ||
| Aamar Mon Kemon Kore | Indrani Sen | E Minor | 4 | 9A | 144 BPM | ||
| May Tui Jale Na Jaio | Swapan Basu | F Major | 3 | 7B | 81 BPM | ||
| Tumi Kon Kananer Ful | Mita Chatterjee, Rabindranath Tagore | A♭ Major | 2 | 4B | 109 BPM | ||
| Ekanta | Karma Band | D Major | 4 | 10B | 127 BPM | ||
| Amay Karuna Karo Maa | Dhananjay Bhattacharya | E Minor | 4 | 9A | 120 BPM | ||
| Aguner Poroshmoni | Rezwana Chowdhuri Bonna, Sadi Mohammad | B♭ Major | 7 | 6B | 128 BPM | ||
| Bachunjelilai | Lata Mangeshkar, Ram Krishna Dhakal | E♭ Major | 4 | 5B | 112 BPM | ||
| Ghumti Ma Na Aau Hai | Premdhoj Pradhan | E♭ Major | 5 | 5B | 156 BPM | ||
| Mero Sath | Nabin K Bhattarai | G Major | 6 | 9B | 100 BPM | ||
| Ghamailo Ramilo | Ram Krishna Dhakal, Deepa jha | F♯ Major | 6 | 2B | 115 BPM | ||
| Gajalu Tika | Raju Lama-mongolian Heart | E Major | 7 | 12B | 147 BPM |