Symphony No. 7, "Sinfonia antartica": II. Scherzo by Ralph Vaughan Williams, Hallé, Sir Mark Elder Song Details

"Symphony No. 7, "Sinfonia antartica": II. Scherzo" by Ralph Vaughan Williams, Hallé, Sir Mark Elder had its release date on 2015. This song is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. This song is part of Vaughan Williams: The Complete Symphonies by Ralph Vaughan Williams, Hallé, Sir Mark Elder. The song's track number on the album is #6 out of 37 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Symphony No. 7, "Sinfonia antartica": II. Scherzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

Since Symphony No. 7, "Sinfonia antartica": II. Scherzo by Ralph Vaughan Williams, Hallé, Sir Mark Elder has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphony No. 7, "Sinfonia antartica": II. Scherzo being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -33.938 dB
Acousticness: 95%
Danceability: 8%
Energy: 1%
Instrumentalness: 90%
Liveness: 9%
Loudness: 43%
Speechiness: 4%
Valence: 3%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato	Ralph Vaughan Williams, Hallé, Sir Mark Elder	A Minor	0	8A	81 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	G Minor	0	6A	66 BPM
Simple Symphony, Op. 4: Playful Pizzacato	Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford	C Major	1	8B	129 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	C Minor	0	5A	177 BPM
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	G Major	0	9B	103 BPM
Ma mère l'oye, M. 60 (Version for Orchestra): V. Le jardin féerique	Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek	C Major	0	8B	89 BPM
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro	Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood	E♭ Minor	1	2A	100 BPM
Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave	Erik Satie, Sir Simon Rattle, Berliner Philharmoniker	A Minor	0	8A	82 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra)	Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic	B♭ Major	1	6B	93 BPM
Brook Green Suite: II. Air	Gustav Holst, English Sinfonia, Howard Griffiths	E♭ Major	0	5B	128 BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	E Minor	2	9A	117 BPM
English Suite: Meditation	Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones	A Minor	0	8A	61 BPM
Khachaturian: Suite No. 2 from Spartacus: I. Adagio of Spartacus and Phrygia	Aram Khachaturian, Yuri Temirkanov, Royal Philharmonic Orchestra	D♭ Major	1	3B	101 BPM
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro	Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann	A Major	1	11B	116 BPM
Fauré: Pavane, Op. 50	Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra	F♯ Minor	0	11A	130 BPM
Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer)	Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša	C Major	1	8B	174 BPM
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace	Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood	C Major	2	8B	165 BPM
DANCE: III. in the middle of the fighting	Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop	A Minor	1	8A	82 BPM
Romance in E-Flat Major, Op. 11	Gerald Finzi, Royal Northern Sinfonia, Howard Griffiths	A♭ Major	1	4B	86 BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	E Minor	1	9A	111 BPM
Fra Holbergs tid, Op. 40: IV. Air (From Holberg's Time) [Version for Orchestra]	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	A♭ Major	1	4B	102 BPM
Romance, Op. 11	Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult	A♭ Major	1	4B	82 BPM
Mass in G Minor: Kyrie	Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Peter Lidbetter, Michael Bell, Andrew Nethsingha	D Major	0	10B	76 BPM
Black Swan: Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major) [After Brahms' 6 Piano Pieces, Op. 118, No. 2. Intermezzo in A Major]	Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz	G Major	3	9B	80 BPM