"Simple Symphony, Op. 4: Playful Pizzacato" by Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford had its release date on January 2, 2005. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 34 in Britten: Simple Symphony / Temporal Variations / Suite On English Folk Tunes by Benjamin Britten, Steuart Bedford. Based on our statistics, Simple Symphony, Op. 4: Playful Pizzacato's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Simple Symphony, Op. 4: Playful Pizzacato by Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
| Suite in A Major "American Suite", Op. 98b, B. 190: V. Allegro | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 1 | 11B | 71 BPM | ||
| Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | ||
| Háry János Suite: I. Prelude. The Fairy Tale Begins | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | F Major | 1 | 7B | 84 BPM | ||
| Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 2 | 4B | 127 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Maggini Quartet | C Major | 2 | 8B | 174 BPM | ||
| Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | B♭ Major | 0 | 6B | 88 BPM | ||
| Momentum | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | ||
| Prélude à l'après-midi d'un faune, CD 87a | Claude Debussy, The Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 75 BPM | ||
| Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | C Major | 1 | 8B | 94 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
| Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
| Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
| Fra Holbergs tid, Op. 40: III. Gavotte (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 122 BPM | ||
| 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
| Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: III. Scherzo (Molto vivace) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | D Minor | 1 | 7A | 150 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato – | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
| The Swan of Tuonela, Op. 22 No. 2 | Jean Sibelius, Helsinki Philharmonic Orchestra, Leif Segerstam | A Minor | 0 | 8A | 91 BPM | ||
| Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Major | 1 | 3B | 85 BPM | ||
| The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, London Philharmonic Orchestra, Sir Georg Solti | C Minor | 3 | 5A | 68 BPM | ||
| Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM |