- BPM
- 107
- Key
- D Major
- Camelot
- 10B
Prince Igor (Knyaz Igor), Act II: Polovtsian Dances by Alexander Borodin, Royal Philharmonic Orchestra, Adrian Leaper Song Details
"Prince Igor (Knyaz Igor), Act II: Polovtsian Dances" by Alexander Borodin, Royal Philharmonic Orchestra, Adrian Leaper had its release date on June 18, 1991. This song appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Orchestral Spectacular". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Prince Igor (Knyaz Igor), Act II: Polovtsian Dances is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Prince Igor (Knyaz Igor), Act II: Polovtsian Dances by Alexander Borodin, Royal Philharmonic Orchestra, Adrian Leaper having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -17.432 dB
- Acousticness
- 92%
- Danceability
- 28%
- Energy
- 13%
- Instrumentalness
- 77%
- Liveness
- 12%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Los Angeles Philharmonic, Janet Ferguson, André Previn | G Major | 1 | 9B | 125 BPM | |
 | Symphony No. 2 in B Minor: IV. Finale. allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | |
 | Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | |
 | Thais, Meditación | Nueva Vida | D Major | 1 | 10B | 89 BPM | |
 | Florida Suite - IV. At Night - Remastered 2022 | Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra | F Major | 1 | 7B | 79 BPM | |
| Schatzwalzer, Op. 418 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Major | 1 | 8B | 173 BPM | |
 | Adagio for Strings, Op. 11 - Live | Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Minor | 0 | 3A | 86 BPM | |
 | Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | |
 | Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | |
 | Carmen Suite: VIII. Bolero (after G. Bizet): Torero and Carmen | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | C Minor | 0 | 5A | 82 BPM | |
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | A♭ Minor | 1 | 1A | 82 BPM | |
 | Spiegel im Spiegel | Arvo Pärt, Nicola Benedetti, Alexei Grynyuk | F Major | 0 | 7B | 79 BPM | |
 | Polovtsian Dances, from: Prince Igor - Arr. & Completed Rimsky-Korsakov & Glazounov: Polovtsian dances | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Minor | 1 | 8A | 107 BPM | |
 | Violin Concerto No. 4 in D Major: IIi. Rondeau Allegretto | Chevalier J.J.O. De Meude-Monpas, Rachel Barton Pine, Encore Chamber Orchestra | D Major | 1 | 10B | 139 BPM | |
 | Wiener Blut, Walzer, Op. 354 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | C Major | 1 | 8B | 171 BPM | |
 | Bliss: Things to Come: March | Arthur Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | |
 | Symphony No. 4 in D Minor: III. Juba Dance | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 69 BPM | |
 | Polovetsian Dances from Prince Igor: Presto I | Alexander Borodin, George Szell, Cleveland Orchestra | D Minor | 3 | 7A | 109 BPM | |
 | Nocturne No. 16 in C Major, H.60 | John Field, Elizabeth Joy Roe | G Major | 1 | 9B | 70 BPM | |
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d) | Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | |
 | Suite No. 1, Op. 13: III. Nocturne | New Zealand Symphony Orchestra, Jules Massenet | A♭ Major | 0 | 4B | 85 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | F Major | 0 | 7B | 88 BPM | |
 | Barber: Agnus Dei | Samuel Barber, Lawrence Foster, Monte-Carlo Philharmonic Orchestra | C Minor | 1 | 5A | 75 BPM | |
 | Sea Dances for 4 Hands and Strings: II. Graceful Giants | Oliver Davis, Beth & Flo, Royal Philharmonic Orchestra, Paul Bateman | A Minor | 1 | 8A | 73 BPM |
- ISRC
- HKI199282804
- Label
- L-M Records/RCA Records