Polovtsian Dances, from: Prince Igor - Arr. & Completed Rimsky-Korsakov & Glazounov: Polovtsian dances by Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim Song Details

"Polovtsian Dances, from: Prince Igor - Arr. & Completed Rimsky-Korsakov & Glazounov: Polovtsian dances" by Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim had its release date on January 1, 1987. This song appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Smetana: The Moldau / Dvorák: Slavonic Dances / Brahms: Hungarian Dances / Borodin: Polovtsian Dances / Liszt: Les Préludes". In this album, this song's track order is #7. In terms of popularity, Polovtsian Dances, from: Prince Igor - Arr. & Completed Rimsky-Korsakov & Glazounov: Polovtsian dances is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Polovtsian Dances, from: Prince Igor - Arr. & Completed Rimsky-Korsakov & Glazounov: Polovtsian dances by Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 7%
Loudness: -19.055 dB
Acousticness: 96%
Danceability: 29%
Energy: 14%
Instrumentalness: 77%
Liveness: 6%
Loudness: 68%
Speechiness: 4%
Valence: 6%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Birds, P. 154: V. The Cuckoo (Il cuccù)	Ottorino Respighi, Orpheus Chamber Orchestra	A Major	0	11B	118 BPM
Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace	Felix Mendelssohn, George Szell, The Cleveland Orchestra	A♭ Major	1	4B	93 BPM
Symphony No.2 in E flat, Op.63: 3. Rondo. Presto	Edward Elgar, Staatskapelle Berlin, Daniel Barenboim	G Major	2	9B	138 BPM
Gayane Suite No. 2: V. Lullaby	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	G Minor	1	6A	83 BPM
El salon Mexico	Aaron Copland, New York Philharmonic, Leonard Bernstein	G Major	2	9B	69 BPM
Ruslan and Lyudmila, Op. 5: Overture	Mikhail Glinka, Slovak Radio Symphony Orchestra, Anthony Bramall	D Major	2	10B	154 BPM
Wiener Blut, Walzer, Op. 354	Johann Strauss II, Zubin Mehta, Wiener Philharmoniker	C Major	1	8B	171 BPM
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	E Major	1	12B	79 BPM
Prince Igor, Act II: Polovtsian Dances, Dance III	Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France	F Major	1	7B	74 BPM
Prince Igor, Act II: Polovtsian Dances, Dance I	Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France	F Major	1	7B	97 BPM
English Suite: Jaunt	Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones	C Major	2	8B	125 BPM
Rosamunde, D. 797: No. 5, Entracte 3 in B-Flat Major. Andantino	Franz Schubert, Orpheus Chamber Orchestra	B♭ Major	0	6B	92 BPM
Academic Festival Overture, Op. 80	Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti	C Major	2	8B	73 BPM
Boléro, M. 81	Maurice Ravel, Chicago Symphony Orchestra, Sir Georg Solti	D♭ Major	0	3B	84 BPM
Gershwin: Rhapsody in Blue, Pt. 3 (1942 Version, Orch. Grofé)	George Gershwin, Martin James Bartlett, Joshua Weilerstein, London Philharmonic Orchestra	A♭ Major	4	4B	74 BPM
Symphony No. 1 in D Major: I. Langsam. Schleppend	Gustav Mahler, Chicago Symphony Orchestra, Pierre Boulez	A Major	0	11B	62 BPM
Karelia Suite, Op.11: 2. Ballade (Tempo di menuetto)	Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner, Barry Davis	A Minor	0	8A	69 BPM
Rêverie et Caprice, Op.8	Hector Berlioz, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	A Major	1	11B	117 BPM
Souvenir de Florence, Op. 70: I. Allegro con spirito	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	D♭ Major	1	3B	82 BPM
Symphony No. 3 in G Minor, Op. 36: III. Scherzo (Vivace)	Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki	D Major	1	10B	83 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	95 BPM
The Planets, Op. 32: 1. Mars, The Bringer Of War	Gustav Holst, Chicago Symphony Orchestra, James Levine	A♭ Major	4	4B	95 BPM
Symphonie romantique, "La nuit des tropiques" (a Night in the Tropics): II. Festa Criolla	Louis Moreau Gottschalk, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg	G Major	1	9B	124 BPM
Symphony No. 2 in B Minor: III. Andante	Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR	D♭ Major	1	3B	84 BPM
Fra Holbergs tid, Op. 40: III. Gavotte (From Holberg's Time) [Version for Orchestra]	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	G Major	1	9B	122 BPM