On January 1, 1994, the song "Nagin Instrumental Tune 1" was released by Various Indian Instrumentalists. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Nagin Instrumental Tunes (Traditional Snake Charmer)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Nagin Instrumental Tune 1 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Nagin Instrumental Tune 1 by Various Indian Instrumentalists having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nagin Instrumental Tune 3 | Various Indian Instrumentalists | E Major | 5 | 12B | 116 BPM | ||
| Ho Gaye Darshan Tumhare | Madan Gopal | F♯ Minor | 5 | 11A | 175 BPM | ||
| Bundeli Bidai Geet Aai Bidai Ki Biriya doli Uthao | Soniya Studio, Mohan Kushwaha Arvindra | G Major | 9 | 9B | 148 BPM | ||
| Dhun Maiyya Played In Punjab During Marriage Occasion | Bismillah Khan | C Major | 7 | 8B | 161 BPM | ||
| TIMLI X AADIVASI MUSIC | Bapu Beats, DJ HUNTER | D♭ Minor | 8 | 12A | 120 BPM | ||
| Tuna Sarkha Na Koni | Dipak Devraj | A♭ Major | 7 | 4B | 173 BPM | ||
| AAVAGI AANDHI RE | Ashwini Pawar | F♯ Major | 9 | 2B | 91 BPM | ||
| Brahmanand Relave Re | Baps Swaminarayan Sanstha | A♭ Major | 6 | 4B | 96 BPM | ||
| Aamblo Pakyo | Diwaliben Bhil | A♭ Major | 1 | 4B | 101 BPM | ||
| Bajrang Baan Bullet | Kunal Mishra, Mohit Musik | D Major | 10 | 10B | 142 BPM | ||
| Kaun Aaya Kaun Aaya | Priti Chawla, Ghanshyam Vaswani, Peenaz Masani, Viraj Upadhyay, Narendra Bhansali, Badri Pawar | B Minor | 5 | 10A | 96 BPM | ||
| Maiya Bani Sukwar | Karina Pandey, Sovita Pandey | E♭ Minor | 8 | 2A | 123 BPM | ||
| Vaara Banthu | Puttur Narasimha Nayak | F♯ Major | 3 | 2B | 90 BPM | ||
| Govind Bolo Hari Gopal Bolo - Instrumental | Sawan Dutta, Ajay Prasanna | D Major | 4 | 10B | 100 BPM | ||
| Uttar Pradesh Kajri | Ashit Desai | A Major | 3 | 11B | 139 BPM | ||
| Radhe Radhe Govinda Radhe Radhe Govinda | Jagadguru Shri Kripalu Ji Maharaj | D♭ Minor | 8 | 12A | 154 BPM | ||
| Sutal Mein Rahni Khati, Sapna Dekhila | Bharat Sharma Vyas | A♭ Major | 5 | 4B | 165 BPM | ||
| Nivadi-Nivadi Nache Porai | Rajendra Baghel | F♯ Major | 7 | 2B | 133 BPM | ||
| Bhola Bhangiya Ke Kaise Manai | Khesari Lal Yadav, Kalpana Patowary, Rajnish Mishra | G Major | 8 | 9B | 136 BPM | ||
| Krishna Manamohana | Nishtha Keshav | D Minor | 5 | 7A | 96 BPM | ||
| Tandalengka | Panchuna Rabha | D Major | 6 | 10B | 106 BPM | ||
| Chidiye Tane Chawal Bhave | Tej Karan Rao, Rekha Rao | E Major | 6 | 12B | 131 BPM | ||
| Darda Marya | Wadali Brothers, Jaspinder Narula | A Major | 8 | 11B | 103 BPM | ||
| Om Gan Ganpataye Namo Namah Ganesh Mantra 18 Chants | Vishal Khera | E♭ Major | 8 | 5B | 73 BPM | ||
| Pando Te Aaj Karu Ghor Sangram | Koshinder Khadana | F♯ Major | 7 | 2B | 141 BPM |