On 2002, the song "Ho Gaye Darshan Tumhare" was released by Madan Gopal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in Daras by Madan Gopal. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. The popularity of Ho Gaye Darshan Tumhare is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ho Gaye Darshan Tumhare by Madan Gopal is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duniya Jhuke Jahan Jhuke | Mukul Agarwal | D♭ Minor | 7 | 12A | 87 BPM | ||
| Bolya Shreehari Re | Hariprabodham | F Minor | 6 | 4A | 80 BPM | ||
| Trishulavari Kashipuri Chakravarti Pandhari Aabhang | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 10 | 10B | 85 BPM | ||
| Lalash Aakha Ghar Ni | Manhar Udhas | B Minor | 6 | 10A | 122 BPM | ||
| Shiv Tandav Stotram | रावण रचित शिव तांडव स्त्रोत | Hari cassettes | F♯ Major | 6 | 2B | 80 BPM | ||
| Ghat Ma Giridhari Ne Man Ma Morari | Nidhi Dholakia | A Minor | 4 | 8A | 90 BPM | ||
| Nand Ke Lala | Rishi Nityapragyan | F♯ Major | 7 | 2B | 109 BPM | ||
| Kashi Dur Jaau Panyashi | Shakuntala Jadhav | D Major | 7 | 10B | 137 BPM | ||
| Shri Rudrashtakam | Naynesh Jani | F Minor | 7 | 4A | 135 BPM | ||
| Chala Sohla Baghu Aashadhi Varicha | Swapnil Bandodkar | F♯ Major | 6 | 2B | 104 BPM | ||
| Ek Tirat Vedhana Pir | Nargis Balolia | D Major | 4 | 10B | 143 BPM | ||
| Bala Ji Pyare | Bhai Sunil Rawat | G Major | 4 | 9B | 136 BPM | ||
| Vanima Vasali Vagi Yogi Tari | Baps Swaminarayan Sanstha | C Major | 4 | 8B | 101 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Man Re Tan Kagad Ka Putla | Susmita Das | G Major | 5 | 9B | 88 BPM | ||
| Raghuvar Tumko Meri Laaj | Satya Adhikar | E Major | 4 | 12B | 176 BPM | ||
| Maliyā Mahant Swami | BAPS Swaminarayan Sanstha | F♯ Major | 6 | 2B | 104 BPM | ||
| Katha Kathguli Aana Pakhana | Narendra Singh Negi, Anuradha Nirala, Mangla Rawat, Usha Negi | G Minor | 2 | 6A | 100 BPM | ||
| Chingari Koi Bhadke | Amit Kumar | B Minor | 4 | 10A | 90 BPM | ||
| Sui Ja Re Sui Ja O Maara Bal | Dipali Somaiya | E Minor | 4 | 9A | 102 BPM | ||
| Samba Sada Shiva (feat. Chorus) | Pandit Eshwer Persaud, Chorus | D♭ Major | 6 | 3B | 88 BPM | ||
| Runiche Wala Raja Khamma Ghani | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Ram Naam Sukhdai Bhajan Karo Bhai | Rajkumar Vinayak | F♯ Major | 8 | 2B | 89 BPM | ||
| Kon Sakine Chiti Dile Pabi | Amrik Singh Arora | F Major | 5 | 7B | 140 BPM | ||
| Anant Koti Brahmandnayak | Sachidanand Appa | G Major | 5 | 9B | 82 BPM |