John Reardon's 'Make Someone Happy' had a release date set for July 28, 2011. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Make Someone Happy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 16 in Do Re Mi (Original Broadway Cast Recording) by Various Artists. Make Someone Happy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Make Someone Happy by John Reardon is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen | Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 3 | 7B | 200 BPM | ||
| The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)* | Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner | G Major | 2 | 9B | 89 BPM | ||
| This is New | John Reardon, Rise Stevens | D♭ Major | 3 | 3B | 133 BPM | ||
| Die Schöpfung, Hob. XXI:2: Part Three: 34. Singt dem Herren alle Stimmen! (Terzett und Chor) - 2017 Remastered Version | Joseph Haydn, Leonard Bernstein, New York Philharmonic, Camerata Singers, Judith Raskin, Alexander Young, John Reardon | B♭ Major | 5 | 6B | 121 BPM | ||
| Marta | Anthony Crivello, Keith McDaniel, Robert Montano, Dan O'Grady, Raymond Rodriguez, John Norman Thomas, Joshua Finkel, Gary Schwartz, Jerry Christakos, Aurelio Padron | D♭ Major | 1 | 3B | 57 BPM | ||
| Romberg: The Desert Song, Act 1: "I Want a Kiss" (Paul, Margot, Chorus) | Sigmund Romberg, Michael Collins, Edmund Hockridge, June Bronhill, The Williams Singers, Michael Collins Orchestra | G Major | 3 | 9B | 88 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Fireworks | John Reardon, Nancy Dussault | A Major | 3 | 11B | 169 BPM | ||
| If This Isn't Love | Don Francks, Petula Clark, Fred Astaire & Chorus | F Major | 4 | 7B | 142 BPM | ||
| My Lord And Master - Remastered 2001 | Rita Moreno, Darcy M. Proper, Jen Wyler | G Major | 1 | 9B | 91 BPM | ||
| H.M.S. Pinafore: Entracte | Arthur Sullivan, The New Symphony Orchestra Of London, Isidore Godfrey | G Major | 1 | 9B | 88 BPM | ||
| This Plum Is Too Ripe | Hugh Thomas, Rita Gardner, William Larsen, Kenneth Nelson | F Major | 4 | 7B | 71 BPM | ||
| Die Csardasfürstin: Weißt du es noch | Emmerich Kálmán, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | C Minor | 2 | 5A | 81 BPM | ||
| The Mikado / Act 2: 27. A more humane Mikado never did in Japan exist | Arthur Sullivan, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | A Major | 3 | 11B | 98 BPM | ||
| The Mikado / Act 2: 28. The criminal cried as he dropp'd him down | Arthur Sullivan, Peggy Ann Jones, John Reed, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E Major | 1 | 12B | 69 BPM | ||
| Arlen / Arr. Chaplin: Get Happy (From "Summer Stock") | The John Wilson Orchestra, John Wilson | D Major | 5 | 10B | 170 BPM | ||
| H.M.S. Pinafore / Act 2: Fair moon to thee I sing | Arthur Sullivan, The D'Oyly Carte Opera Company, Jeffrey Skitch, The New Symphony Orchestra Of London, Isidore Godfrey | A Major | 1 | 11B | 102 BPM | ||
| On the Town: Act I: Lucky to Be Me | Leonard Bernstein, John Reardon, On the Town Ensemble (1960), On the Town Orchestra (1960), John Battles, On the Town 1960 Studio Cast Recording, Cris Alexander, Nancy Walker, Sono Osato, Betty Comden, Adolph Green | A Major | 2 | 11B | 86 BPM | ||
| This Nearly Was Mine | Paulo Szot | C Major | 2 | 8B | 88 BPM | ||
| Hymn of Betrotha - Finale Act 1 | Brenda Lewis, John Reardon, Helena Scott, William Linton, Perryne Anker, William Olvis | D Major | 3 | 10B | 64 BPM | ||
| Porter: Kiss Me, Kate, Act 2: "So in Love" (Fred) | Cole Porter, John McGlinn, Thomas Hampson, London Sinfonietta | G Major | 3 | 9B | 88 BPM | ||
| The Greatest Show on Earth | Adolph Green, John Reardon, Kenneth Bridges, Lady in the Dark Ensemble (1963) | D Major | 5 | 10B | 113 BPM | ||
| Palomma 'e notte | Pene Pati, Antonello Paliotti, Raffaele La Ragione, Giulio d'Alessio, Il Pomo D'oro | F Major | 2 | 7B | 89 BPM | ||
| West Side Story: Only you, you're the only thing I'll see forever....Tonight, tonight, it all began tonight | Orchestra of the Royal Opera House, Covent Garden, Angela Gheorghiu, Richard Armstrong, Roberto Alagna | B♭ Major | 1 | 6B | 72 BPM | ||
| A Bowler Hat | Isao Sato, Original Broadway Cast of Pacific Overtures | C Minor | 1 | 5A | 149 BPM |